Needlework and Narration
The Case of Margaret Atwood's "Alias Grace"
Datos Bibliográficos
| ID | 21481237 |
|---|---|
| Autores | Celia Torrejón-Tobío (0000-0001-8706-5787, Universidad de Granada, autor de correspondencia) |
| Año | 2023 |
| Número | 39 |
| Páginas | 339-356 |
| Fecha de publicación | 2023-12-18 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Epos Revista de filología (JOURNAL) |
| Identificadores de la revista | ISSN: 0213-201X • E-ISSN: 2255-3495 |
| Editorial | UNED - Universidad Nacional de Educacion a Distancia (PUBLISHER) |
| DOI | 10.5944/epos.39.2023.34172 |
| OpenAlex | W4389951852 |
| Idioma | EN |
| Referencias citadas | 5 |
This article explores the main character in Margaret Atwood’s novel Alias Grace (1996) in terms of the semiotics of the textile and its corresponding feminine implications. The main hypotheses enunciated concern, on the one hand, the possibilities of narrativity that this symbol brings about (particularly for dissident discourses) and, on the other hand, the dissipation of the conceptual and representational boundaries of the textual and the textile. Furthermore, this study suggests a revision of the imaginary traditionally associated with the feminine spheres and an approach to these spaces as places of resistance that have arisen in the midst of silencing, captivity, or marginalisation
Aesthetics · Alias · Art · Epistemology · Linguistics · Literature · Narrative · Narrativity · Political science · Preamble · Psychoanalysis · Semiotics · Sociology · The Imaginary · Comics and Graphic Narratives · Computer Science · Digital Games and Media · History · Philosophy · Psychology · Utopian, Dystopian, and Speculative Fiction
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |