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Expertise in applied studio teaching

Teachers working with multiple levels of learners

Datos Bibliográficos

ID21490002
AutoresJennifer Blackwell (0000-0001-8574-5703, University of Hawaiʻi at Mānoa, autor de correspondencia)
Año2020
Volumen38
Número2
Páginas283-298
Fecha de publicación2020-05-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaInternational Journal of Music Education (JOURNAL)
Identificadores de la revistaISSN: 0255-7614 • E-ISSN: 1744-795X
EditorialSAGE Publications (PUBLISHER • US)
DOI10.1177/0255761419898312
OpenAlexW3003613654
IdiomaEN
Citas recibidas6
Referencias citadas13

One-to-one lessons are ubiquitous in music education, and thus understanding the components of effective teaching in this environment is essential for student learning. This study explored whether the teaching elements identified in previous studies were evident with applied music teachers working with both college and pre-college students, and if those elements differed as a function of the level of the students. In addition, these teachers were asked to provide commentary on what they deemed important to effective studio teaching. I examined video recordings of 18 lessons given by two applied teachers who had received formal recognition for outstanding teaching. Many of the observations in this study were consistent with previous findings; however, higher rates of low magnitude positive feedback and student errors that did not elicit stops were present. One element regarding physical proximity was added. The findings indicate important differences in the way these teachers approach students at different levels, particularly regarding side coaching during performance, teacher modeling, feedback, and correction of errors. Participants also emphasized the importance of rapport and positive relationships

Coaching · Mathematics education · Music education · Pedagogy · Studio · Teaching method · Communication in Education and Healthcare · Computer Science · Diverse Music Education Insights · Neuroscience and Music Perception · Psychology

  • Effective Music Teachers and Effective Music Teaching Today

    Open Access•Eleonora Concina•Education Sciences•2023

  • Seven-year-old beginner cellists’ lived experiences of music performance

    Open Access•Stephanie L R MacArthur, Jane W Davidson et al.•Research Studies in Music Education•2025

  • “Mistakes are just information”

    Open Access•Jennifer Blackwell•International Journal of Music…•2022

  • Expertise in Choral Rehearsing

    Katrina A Cox, Amy Simmons•Bulletin of the Council for…•2024

  • Studio Music Teachers’ Perceptions Towards Community Music Participation and Its Influence on Their Teaching Approaches

    Open Access•Valerie Wong, Wong Li Qing Valerie et al.•International Journal of Music…•2026

  • Expert Middle School Band Teachers’ Decision-Making Processes

    Open Access•F L Hall•Journal of Research in Music…•2025

  • Qualitative Research

    Open Access•Nicholas Mays, Catherine Pope•BMJ•1995

  • The Nature of Rapport and Its Nonverbal Correlates

    Linda Tickle-Degnen, Robert Rosenthal•Psychological Inquiry•1990

  • Analysis of Teacher-Student Interactions in the Piano Lessons of Adults and Children

    Open Access•Dennis Siebenaler, Dennis J Siebenaler•Journal of Research in Music…•1997

  • Learning about and learning from expert teachers

    Open Access•David C Berliner•International Journal of…•2001

Obras citantes distintas6
Citas por año1,5
Intervalo de citas2022 - 2026 (5)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 6
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