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Keeping up Appearances

The bloody beauty work of Kim Kardashian’s vampire facial

Datos Bibliográficos

ID21687506
AutoresJennifer Dawn Whitney (University of South Wales, autor de correspondencia)
Año2023
Volumen28
Número1
Páginas62-69
Fecha de publicación2023-01-02
Open AccessSí
TipoARTICLE
RevistaPerformance Research (JOURNAL)
Identificadores de la revistaISSN: 1352-8165 • E-ISSN: 1469-9990
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13528165.2023.2222357
OpenAlexW4388198822
IdiomaEN
Citas recibidas2
Referencias citadas13

In March 2013, Kim Kardashian gazed out at her millions of Instagram followers with a placid but bloodied face. The stated aim of the selfie was to tease the topic of that week’s episode of Kourtney and Kim Take Miami, a spin-off series of the E! network’s long-running reality programme, Keeping Up with the Kardashians. However, marked with the hashtag ‘#vampirefacial’, the post had another effect: it inaugurated a new beauty trend into the popular consciousness. The vampire facial is an out-patient procedure typically performed by a dermatologist or cosmetic surgeon and promises to rejuvenate the facial skin through a combination of micro-needling and a platelet-rich plasma mask made from the patient’s own blood. (Results are disputed.)This article investigates the enduring association between Kardashian and the vampire facial in the popular imagination. Key to this investigation is the narrative function of blood vis-à-vis the figure of the vampire. When taken together, their corporeal and symbolic dimensions signal the abject, the feminine, the transgressive, the contagious, the vulnerable, the Other – that is, the Gothic. When applied to Kardashian’s glamorous celebrity construction, the bloody vampire facial affirms a comingling of Western Romantic beauty ideals with Gothic tropes. This article explores how Kardashian both upholds and challenges traditional Western beauty standards, and how, specifically, the Gothic signification of the vampire facial works to reveal the cultural tensions and anxieties around Kardashian’s performative beauty

Aesthetics · Art · Visual arts · Gender, Feminism, and Media

  • “Big Butt Ideology”

    Quindelda McElroy•Howard Journal of Communications•2025

  • The Kardashians

    Open Access•M D R Jones, Meredith Jones•Citizenship Studies•2024

  • Aesthetic Labour

    Open Access•Ana Sofia Elias, Rosalind Gill et al.•Aesthetic Labour•2017

  • The Vampire

    Open Access•Nick Groom•Vampire•2018

  • The Routledge Companion to Gothic

    Catherine Spooner, Emma McEvoy•The Routledge Companion To Gothic•2007

  • Visual Pleasure and Narrative Cinema

    Laura Mulvey•Screen•1975

  • Unbecoming Female Monsters

    Nadia van der Westhuizen•Folklore•2019

  • Biopolitics of Beauty

    Open Access•Alvaro Jarrin•The Biopolitics of Beauty•2017

  • Thicker Than Water

    Open Access•Andrew P Lyons•American Anthropologist•2006

  • Blackfishing on Instagram

    Open Access•Wesley E Stevens•Social Media + Society•2021

  • Feminism and popular culture

    Pauline Maclaran•Consumption Markets & Culture•2016

Citas por año1
Intervalo de citas2024 - 2025 (2)
Altamente citadoNo
Abrir DOIOpen Access
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