Two faces of mystification
The representation of the holocaust in Arnold Schoenberg's a survivor from Warsaw and Steve Reich's different trains
Datos Bibliográficos
| ID | 21716705 |
|---|---|
| Autores | Vera Mevorah (0000-0002-4313-475X, Institute for Philosophy and Social Theory, University of Belgrade, Belgrade, Serbia, autor de correspondencia) |
| Año | 2022 |
| Número | 32 |
| Páginas | 183-198 |
| Fecha de publicación | 2022-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Muzikologija (JOURNAL) |
| Identificadores de la revista | ISSN: 1450-9814 • E-ISSN: 2406-0976 |
| Editorial | National Library of Serbia (PUBLISHER • RS) |
| DOI | 10.2298/muz2232183m |
| OpenAlex | W4285018893 |
| Idioma | EN |
| Referencias citadas | 16 |
The paper discusses the approaches of different media to Holocaust (re)presentation, with special reference to art music in the 20th century. Following the classification proposed by Michael Rothberg on two possible perspectives for representing the Holocaust: realistic and anti-realist (2000), we analyse two compositions: Arnold Schoenberg?s A Survivor From Warsaw (1947) and Steve Reich?s Different Trains (1988). The aim of the paper is to point out how artistic music reflects and participates in the dominant historical and contemporary discourses of Holocaust representation, especially the discourses of ?heroism? and ?non-representability
Aesthetics · Art · Art history · Literature · Political science · Politics · Psychoanalysis · Sociology · The Holocaust · Theology · Diverse Musicological Studies · History · Law · Music History and Culture · Musicology and Musical Analysis · Philosophy · Psychology
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |