Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local

Jihoon Kim discusses in his "Postinternet Art of the Moving Image and the Disjunctures of the Global and the Local: Kim Hee-cheon and Other Young East Asian Artists” ways in which moving image works by East Asian artists Chen Chen-yu, Lu Yang, and Kim Hee-cheon engage the postinternet condition, a situation in which the internet and digital technologies are no longer perceived as new but as fundamentally restructuring our subjectivity and world. By opening a platform for intersecting the postinternet condition with a discourse on globalization, which has yet to be fully discussed in the existing Western-centric discourses on postinternet art, a key specificity of the postinternet art of the moving image by contemporary East Asian artists lies in its attempts to create spreadable images of multiple political, aesthetic, and cultural layers. The artists’ rigorous aesthetic juxtapositions of virtual and physical spaces should be seen not simply as indicating the artists’ cosmopolitan postinternet sensibilities but also as expressing their engagement with the contradictory and unstable disjunctures of the global and local in contemporary East Asia

Aesthetics · Art · China · East Asia · Globalization · Political science · Politics · Restructuring · Subjectivity · Asian Culture and Media Studies · Cultural Industries and Urban Development · Japanese History and Culture · Philosophy

• Modernity at large

  Arjun Appadurai•Modernity at large•1996

  Añadir item

• Currents of world-making in contemporary art

  Terry Smith•World Art•2011

  Añadir item

• The Marvelous Clouds

  John Durham Peters•Marvelous Clouds•2015

  Añadir item

• Spatialities and Temporalities of the Global

  Sassen, Saskia Sassen•Public Culture•2000

  Añadir item