Political Orientation in Ecocriticism
National Allegory in Vietnamese Ecofiction by Trần Duy Phiên
Datos Bibliográficos
| ID | 21728972 |
|---|---|
| Autores | Chi P Pham (0009-0001-3589-0918, Universität Hamburg, autor de correspondencia) |
| Año | 2023 |
| Volumen | 24 |
| Número | 5 |
| Fecha de publicación | 2023-02-26 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | CLCWeb Comparative Literature and Culture (JOURNAL) |
| Identificadores de la revista | ISSN: 1481-4374 • E-ISSN: 1481-4374 |
| Editorial | Purdue University (bepress) (PUBLISHER) |
| DOI | 10.7771/1481-4374.3818 |
| OpenAlex | W4322495013 |
| Idioma | EN |
| Referencias citadas | 19 |
Since the late 1990s, theories and practices of ecocriticism have tended to be more politically engaged than in its earliest phase, considering that “environmental problems cannot be solved without addressing issues of wealth and poverty, overconsumption, underdevelopment, and the notion of resource scarcity” (Heise 251-2). This paper engages with the political orientation in ecocriticism by examining presentations of humans and nature in three Vietnamese short stories – “Kiến và người” (The Ants and the Man, 1990), “Mối và người” (The Termite and the Man, 1992), and “Nhện và người” (The Spider and the Man, 2012) by Trần Duy Phiên (born 1942). These presentations center around conflicts between human characters and insect characters, in which the former attempt to dominate and exploit the latter and the latter resist and take revenge on the former. This paper delves into the political context of these presentations which is the Vietnamese government's projects of modernizing the nation since the time it came into power in 1945 and particularly since the time of Reform in 1986. These projects include the making of modern citizens, civilizing the highland, and modernizing the national economy, all have aimed at clearing colonial legacies in material and mental aspects of postcolonial Vietnam. The paper argues that national allegory is a characteristic of Vietnamese ecofiction, which forms Vietnamese intellectuals’ engagement with the postcolonial condition of Vietnam. This argument in its turn affirms political engagements in ecocriticism as a historical situation, particularly in former colonial countries
Alienation · Allegory · Art history · Colonialism · Ecocriticism · Environmental ethics · Political economy · Political science · Politics · Sociology · Vietnamese · Asian American and Pacific Histories · Ecocriticism and Environmental Literature · History · Law · Philosophy · Vietnamese History and Culture Studies
Colonialism/Postcolonialism
Third-World Literature in the Era of Multinational Capitalism
Vietnamese State Industry and the Political Economy of Commercial Renaissance
Vietnamese Anticolonialism 1885-1925
Toward a Critical Theory of Animal Issues in Fiction
The Two Cultures Revisited
Postcolonialism
Material Ecocriticism
Going Away to Think
Ecoambiguity
Blues in the Green
Internal Colonialism in the Central Highlands of Vietnam
Negotiating Remote Borderland Access
The Environmental Imagination
Green Postcolonialism
Ecocriticism, Literary Theory, and the Truth of Ecology
Vietnamese Tradition on Trial, 1920-1945
Postcolonial criticism, ecocriticism and climate change
Postcolonial ecocriticism and the limits of Green Romanticism
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |