Aesthetic experiences with others
An enactive account
Datos Bibliográficos
| ID | 21750873 |
|---|---|
| Autores | Harry Drummond (0000-0002-4225-9278, University of Liverpool, autor de correspondencia) |
| Año | 2024 |
| Fecha de publicación | 2024-07-26 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Phenomenology and the Cognitive Sciences (JOURNAL) |
| Identificadores de la revista | ISSN: 1568-7759 • E-ISSN: 1572-8676 |
| Editorial | Springer Science and Business Media LLC (PUBLISHER) |
| DOI | 10.1007/s11097-024-10015-w |
| OpenAlex | W4401010903 |
| Idioma | EN |
| Referencias citadas | 35 |
We can look at paintings, listen to music, dance, play instruments, and watch movies, on our own almost anytime, anywhere. That is, we have effortless, on-demand access to an abundance of private aesthetic experiences. Why, then, do we seek out aesthetic experiences together? Indeed, it is not controversial to claim that listening to music, dancing, and watching films are activities that we do together more so than we do on our own. While the significance of interpersonal aesthetic experiences, and what explains that significance, is not uncharted territory, I claim that more precision regarding the kinds of relations and interactions that modulate and enable different kinds of interpersonal aesthetic experiences is warranted than is offered in extant literature. As such, an enactive approach that not only foregrounds embodiment and intersubjectivity in cognition, but duly explains how variations in them cause variations in cognition, is paramount to my explanation. Here, then, I marshal three ‘varieties’ of interpersonal aesthetic experience that I term aggregative , synchronised , and shared aesthetic experiences. In doing so, I explain what makes them particularly worthwhile, while introducing terminological and explanatory clarity to the literature as a unifying base from which future research can unfold
Autopoiesis · Cognitive psychology · Cognitive science · Enactivism · Epistemology · Metaphysics · Neurophenomenology · Philosophy of mind · Psychoanalysis · Creativity in Education and Neuroscience · Embodied and Extended Cognition · Philosophy · Psychology · Social Representations and Identity
Action and Interaction
The socially extended mind
Intersubjectivity in perception
Games
Feeling more together
When observing gaze shifts of others enhances object desirability
An Outline of a Theory of Affordances
Interactive expertise in solo and joint musical performance
Emotional sharing and the extended mind
Shared Cooperative Activity
Walking Together
Participatory sense-making
Joint music making promotes prosocial behavior in 4-year-old children☆☆☆
Shared Musical Experiences
Joint Attention to Music
Listening to Music Together
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |