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The Role of Objects and Artifacts in Crafting the OnScreen Images of Mythological Medusa

Datos Bibliográficos

ID21764587
AutoresPatrycja Rojek (0000-0003-4301-080X, Adam Mickiewicz University in Poznań, autor de correspondencia)
Año2025
Número44
Páginas217-233
Fecha de publicación2025-12-29
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPrzestrzenie Teorii (JOURNAL)
Identificadores de la revistaISSN: 1644-6763 • E-ISSN: 2450-5765
EditorialAdam Mickiewicz University Poznan (PUBLISHER)
DOI10.14746/pt.2025.44.13
OpenAlexW7125703522
IdiomaEN
Referencias citadas4

Medusa, the Gorgon known for her monstrous appearance and petrifying gaze, is one of the most iconic figures in Greco-Roman mythology. Unlike many other mythological characters, Medusa can be identified solely by her distinctive physiognomy, without the need for symbolic attributes, as is often the case with depictions of deities. However, in the myth of Perseus, where Medusa is the main antagonist, various props play a crucial role in defining her character. This article explores the role of three key categories of these objects–those used against Medusa, those created by her gaze, andthose formed from her dead corpse–in shaping her image in film pop culture. Through an analysis of films such as Clash of the Titans (2010) and Percy Jackson & the Olympians: The Lightning Thief (2010), as well as their originals or remakes, the study demonstrates how these objects not only construct Medusa’s portrayal but also engage with themes of objectification and dehumanization

Mythology · Objectification · The Symbolic · Byzantine Studies and History · Classical Antiquity Studies · Contemporary and Historical Greek Studies

  • Ovid on Screen

    Martin M Winkler•Ovid on Screen•2020

  • Visual Pleasure and Narrative Cinema

    Laura Mulvey•Screen•1975

  • Meousa

    Stephen R Wilk•Medusa•2000

Velocidad de citaciónhistorical
Altamente citadoNo
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