Sexuality, Feminism and Polish Cinema in Maria Kornatowska’s "Eros i film"

The text addresses the issue of feminist film criticism in Poland in the 1980s, represented by the book by Maria Kornatowska Eros i film [Eros and Film, 1986]. In her analysis Kornatowska focused mostly on Polish cinema, examined through a feminist and psychoanalytic lens. As a film critic, she followed international cinematic offerings and the latest trends in film studies, which is why she decided to fill the gap in Polish writings on gender and sexuality in cinema, and share her knowledge and ideas on the relationship between Eros and Film. The purpose of the text on Kornatowska’s book was to present her individual interpretations of the approach of Polish and foreign filmmakers to the body, sexuality, gender identity, eroticism, the question of violence and death. Secondly, it was important to emphasize her skills and creative potential as a film critic who was able to use many diverse repositories of thought (including feminist theories, philosophy and anthropology) to create a multi-faceted lens, which she then uses to perform a subjective, critical analysis of selected films

Aesthetics · Art · Art history · Criticism · Eroticism · Feminism · Film studies · Human sexuality · Literature · Movie theater · Psychoanalysis · Psychoanalytic theory · Sociology · European history and politics · Gender Studies · Polish Historical and Cultural Studies · Polish-Jewish Holocaust Memory Studies · Psychology

• Visual Pleasure and Narrative Cinema

  Laura Mulvey•Screen•1975

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• Women and Their Sexuality in the New Film

  Gloria Firmin, Joan Mellen et al.•The English Journal•1976

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