Between imagination and delusion

This paper reads Ken Walibora’s Kiswahili children’s book Ndoto ya Amerika [The American Dream] as a critical intervention in the politics of the imagination in Kenya. I argue that although the story is radical in its subtle criticism of the West, its main focus is the disillusionment with the post‐independence dispensation in Africa. By tracking the story’s imaginative engagements with the Kiswahili language, the African American diaspora, and the disciplinary apparatus of the postcolonial Kenyan state, I find that Walibora promotes “rooted cosmopolitanism” as a framework for literary and political development. Despite its artistic innovativeness in addressing the problems that African nations face, Ndoto ya Amerika has received little critical attention. It behoves the postcolonial critic to consider popular and children’s texts in indigenous languages of the Global South, as texts like Ndoto ya Amerika offer an energetic critique of universalized notions of cosmopolitanism while proposing alternative cosmopolitan practices. I read Ndoto ya Amerika as undermining dominant notions of cosmopolitanism which, in their triumphalist perception of globalization, privilege the affluent postcolonial subject based in the West

Aesthetics · Art · Colonialism · Cosmopolitanism · Criticism · Diaspora · Dream · Globalization · Independence (probability theory · Indigenous · Literature · Political science · Politics · Postcolonial literature · Postcolonialism (international relations · Privilege (computing · Sociology · ICT in Developing Communities · Multilingual Education and Policy · Postcolonial and Cultural Literary Studies · Psychology · Gender Studies · Law

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