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Transition and Translation of Free Indirect Discourse in Chinese Literature

Datos Bibliográficos

ID21807375
AutoresYixin Liu (0009-0009-0837-8298, University of Edinburgh, autor de correspondencia)
Año2021
Volumen11
Número9
Páginas983-989
Fecha de publicación2021-09-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaTheory and Practice in Language Studies (JOURNAL)
Identificadores de la revistaISSN: 1799-2591 • E-ISSN: 2053-0692
EditorialAcademy Publication (PUBLISHER • GB)
DOI10.17507/tpls.1109.02
OpenAlexW3197922123
IdiomaEN
Referencias citadas12

Free indirect discourse (FID) is a discourse presentation pattern of third-person narration, and it is often employed as a common narrative strategy to present characters’ consciousness in literary works. Given its ambiguous link with both the narrator’s and character’s discourse, we may feel confused about how to distinguish FID from other discourse when reading a text. After introducing the basic definition of this notion, this paper will interpret several signals which can help to distinguish FID passages in the text. Most importantly, this paper will look at how FID passages in Western literary works were translated into Chinese in early works, and then explore the development of FID in early Chinese fiction, investigating the transition of FID in Chinese

Art · Consciousness · Epistemology · Linguistics · Literature · Narrative · Sociology · Chemistry · Language, Metaphor, and Cognition · Mathematics · Narrative Theory and Analysis · Natural Language Processing Techniques · Philosophy

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Velocidad de citaciónhistorical
Altamente citadoNo
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