Curators as keepers and exhibition makers
The British Museum’s African Galleries
Datos Bibliográficos
| ID | 21834530 |
|---|---|
| Autores | Nelson Foster (0000-0001-8623-4884, University of Suffolk, autor de correspondencia) |
| Año | 2023 |
| Volumen | 16 |
| Número | 1 |
| Páginas | 63-80 |
| Fecha de publicación | 2023-01-02 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Museum History Journal (JOURNAL) |
| Identificadores de la revista | ISSN: 1936-9816 • E-ISSN: 1936-9824 |
| Editorial | Informa UK Limited (PUBLISHER • GB) |
| DOI | 10.1080/19369816.2023.2196652 |
| OpenAlex | W4366681445 |
| Idioma | EN |
| Referencias citadas | 13 |
It is generally assumed that anthropological artefacts are fundamentally different from art works. This article questions aspects of this distinction by exploring the role of curators in anthropological collections, with a focus on the Africa Galleries at the British Museum. It looks at the complexities faced by the curators of a controversial collection, which is contested as ‘heritage’ and the curatorial practices used to address it in the late twentieth and early twenty-first century. It explores questions such as: can curatorial work narrate the Other outside power structures? How might it narrate other cultures? And can there be collaborations across cultures without collapsing into existing power structures?Johannes Fabian has argued that ethnography has two ‘moments’: the first involves close exchange and collaboration with other communities during field trips. The second involves the construction of an unchanging temporality through which another culture becomes Other and thus excluded from change. This exclusion applies a power relationship. The article demonstrates how the curators sought to develop exhibitions which critiqued the second moment and built on the first by collaborating with living artists. In so doing the curators also questioned the status of works in anthropological collections
Aesthetics · Art · Epistemology · Ethnography · Exhibition · Media studies · Sociology · Temporality · TRIPS architecture · Visual arts · Anthropological Studies and Insights · Anthropology · Computer Science · Cultural Identity and Heritage · Museology · Museums and Cultural Heritage
Time and the Other
‘Theses on the Philosophy of History’
Where Is ‘Africa’? Re-Viewing Art and Artifact in the Age of Globalization
Available Light
Africa 95
Museums and the Formation of National and Cultural Identities
Africa95
The Sainsbury African Galleries at the British Museum
Reinventing Africa
Curating contemporary African art
Africa95. A Critical Assessment of the Exhibition at the Royal Academy
Anthropology and the British Museum
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |