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Curators as keepers and exhibition makers

The British Museum’s African Galleries

Datos Bibliográficos

ID21834530
AutoresNelson Foster (0000-0001-8623-4884, University of Suffolk, autor de correspondencia)
Año2023
Volumen16
Número1
Páginas63-80
Fecha de publicación2023-01-02
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaMuseum History Journal (JOURNAL)
Identificadores de la revistaISSN: 1936-9816 • E-ISSN: 1936-9824
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/19369816.2023.2196652
OpenAlexW4366681445
IdiomaEN
Referencias citadas13

It is generally assumed that anthropological artefacts are fundamentally different from art works. This article questions aspects of this distinction by exploring the role of curators in anthropological collections, with a focus on the Africa Galleries at the British Museum. It looks at the complexities faced by the curators of a controversial collection, which is contested as ‘heritage’ and the curatorial practices used to address it in the late twentieth and early twenty-first century. It explores questions such as: can curatorial work narrate the Other outside power structures? How might it narrate other cultures? And can there be collaborations across cultures without collapsing into existing power structures?Johannes Fabian has argued that ethnography has two ‘moments’: the first involves close exchange and collaboration with other communities during field trips. The second involves the construction of an unchanging temporality through which another culture becomes Other and thus excluded from change. This exclusion applies a power relationship. The article demonstrates how the curators sought to develop exhibitions which critiqued the second moment and built on the first by collaborating with living artists. In so doing the curators also questioned the status of works in anthropological collections

Aesthetics · Art · Epistemology · Ethnography · Exhibition · Media studies · Sociology · Temporality · TRIPS architecture · Visual arts · Anthropological Studies and Insights · Anthropology · Computer Science · Cultural Identity and Heritage · Museology · Museums and Cultural Heritage

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  • Where Is ‘Africa’? Re-Viewing Art and Artifact in the Age of Globalization

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    Clifford Geertz•Available Light•2012

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    Olabisi Silva•Nka Journal of Contemporary…•1996

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    Annie E Coombes•Oxford Art Journal•1988

  • Africa95

    Kendell Geers, Doran H Ross•African Arts•1996

  • The Sainsbury African Galleries at the British Museum

    Christopher Spring, Nigel Barley et al.•African Arts•2001

  • Reinventing Africa

    Open Access•Peter Mark•Museum Anthropology•1995

  • Curating contemporary African art

    Raphael Chikukwa•African Identities•2011

  • Africa95. A Critical Assessment of the Exhibition at the Royal Academy

    Open Access•Nancy Van Leyden•Cahiers d études africaines•1996

  • Anthropology and the British Museum

    Open Access•Leo Kingston, Sean Kingston•Anthropology Today•2003

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