World Christianity
Toward a Visual Turn
Datos Bibliográficos
| ID | 21837249 |
|---|---|
| Autores | Henrietta Nyamnjoh (University of Cape Town, autor de correspondencia) |
| Año | 2021 |
| Volumen | 11 |
| Número | 2 |
| Páginas | 225-244 |
| Fecha de publicación | 2021-08-05 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Journal of World Christianity (JOURNAL) |
| Identificadores de la revista | ISSN: 1943-1538 • E-ISSN: 2377-8784 |
| Editorial | The Pennsylvania State University Press (PUBLISHER) |
| DOI | 10.5325/jworlchri.11.2.0225 |
| OpenAlex | W3188976971 |
| Idioma | EN |
| Referencias citadas | 20 |
Ethnographic research has tended to be driven by traditional research methods—such as observation and interviews—to the exclusion of using visual sources of data. These can include illustrations or photographs, which are generally utilized by visual anthropologists. World Christianity has been the subject of social science research; however, analysis tends to be based on traditional ethnographic research methods. Through an analysis of personal interactions at Pentecostal churches in Cape Town, this article underscores the importance of incorporating visual data sources—particularly the use of photography—in the study of Pentecostalism through an exploration of the conceptual complexity, insights, and interpretations of the various representations of photography as a research method. By developing a conceptual framework of folding and enfolding, I posit that photography engenders cognitive memory and communicates complex messages that define the extent to which researchers or participants perceive photographs as useful
Aesthetics · Archaeology · Art · Christianity · Cognition · Epistemology · Ethnography · Photography · Sociology · Visual arts · Visual research · Anthropological Studies and Insights · Anthropology · Computer Science · History · Participatory Visual Research Methods · Philosophy · Psychology · Religious Tourism and Spaces
Seeing Through Race
Christianity, Development and Modernity In Africa
Visual Methods in Social Research
Talking about pictures
Layers of narratives, images, and analysis
Folds in the photograph
The Earliest Generation of Missionary Photographers in West Africa and the Portrayal of Indigenous People and Culture
Interpretations of a Photographic Narrative by Viewers in Four Age Groups
Visual ethnography
Photo Elicitation and the Visual Sociology of Religion
Studying the Home Mode
Experience - Information - Image
Still Photography in the Systematic Recording and Analysis of Behavioral Data
Representation/Self-representation
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |