What Approach to Flemish Annunciations

Datos Bibliográficos

ID21974875
AutoresThor-Oona Pignarre-Altermatt (0000-0002-9510-5010, European University Institute, autor de correspondencia)
Año2022
Volumen11
Número1
Páginas33
Fecha de publicación2022-02-10
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaArts (JOURNAL)
Identificadores de la revistaISSN: 2076-0752 • E-ISSN: 2076-0752
EditorialMDPI AG (PUBLISHER • IT)
DOI10.3390/arts11010033
OpenAlexW4211071229
IdiomaEN
Citas recibidas2
Referencias citadas14

Through a series of case studies, this paper examines Flemish fifteenth and early sixteenth century paintings of the Annunciation in a domestic setting as an example of how the materiality and the spiritual dimension form two inseparable aspects of devotional practice. After questioning whether these paintings reflect contemporary interiors and practices of domestic devotion, the paper discusses their use as historical sources by addressing the domestic iconography of the Annunciation as a Flemish artistic tradition. It argues that it is necessary to consider these paintings as artworks to understand their primary role as devotional objects

Aesthetics · Archaeology · Art · Art history · Fifteenth · Flemish · Iconography · Painting · Visual arts · Classics · Financial Crisis of the 21st Century · History · Religious Tourism and Spaces