Saltar al contenido principal

ETHNOS_APP

Inicio • Búsqueda • Revistas • Lista 0

Chamber Music of the Second Half of the 20th Century as a Form of International Cultural Dialogue and Self-Identification

Datos Bibliográficos

ID21998286
AutoresIhor Pylatyuk (0000-0003-4332-2731, Lviv National Musical Academy named after Mykola Lysenko), Lyubava Sydorenko (0000-0002-4626-7152, Hetman Petro Sahaidachnyi National Army Academy), Olha Katrych (0000-0002-2222-1993, Lviv National Musical Academy named after Mykola Lysenko), Antonina Chubak (0000-0003-1207-312X, Lviv National Musical Academy named after Mykola Lysenko)
Año2020
Volumen9
Número2
Páginas236
Fecha de publicación2020-06-25
Open AccessSí
TipoARTICLE
RevistaJournal of History Culture and Art Research (JOURNAL)
Identificadores de la revistaISSN: 2147-0626 • E-ISSN: 2147-0626
EditorialKarabuk University (PUBLISHER • TR)
DOI10.7596/taksad.v9i2.2561
OpenAlexW3041914765
IdiomaEN
Citas recibidas1

The article deals with the study of the main tendencies of European chamber music of the second half of the 20th century as a special creative "oasis", which in the conditions of globalization processes ensures the realization of inter-ethnic cultural dialogue and awareness of ethnic identity. The most extensive body of artistic achievements in the field of chamber vocal-instrumental genres is found in representatives of the Katowice (Poland) and Lviv (Ukraine) composer schools. The genres of chamber cantata and chamber vocal and instrumental cycle most clearly and consistently represent the achievements of both of these national musical traditions. A common model of imitation for them is the Western European chamber-vocal music of the 19th century, and the unifying factor is the preservation of national specificity of thinking. In the second half of the 20th century, Polish musical culture is becoming an integral artistic phenomenon on a European scale. In the Ukrainian musical culture of this period, the tendencies for experimentation are gradual, with an emphasis on national traditions and folklore sources. The last third of the 20th - the beginning of the 21st centuries, the Ukrainian and Polish music (in particular, in the Lviv and Katowice Composer Schools) marked by the synchronicity of the ways of development, the intensification of innovative searches against the background of the postmodern cultural situation, where the concept of "tradition" takes on the importance of individual and authorial rethinking; and the process of dramatic updating of the genre of chamber vocal and instrumental music genres begins

Aesthetics · Art · Art history · Chamber music · Ethnic group · Hybridity · Imitation · Linguistics · Literature · Musical · National identity · Political science · Sociology · Ukrainian · Anthropology · Central Asia Education and Culture · Education and Social Development in Ukraine · History · Law · Philosophy · Psychology

  • Exploring the influence of contemporary global music on national music education

    Open Access•Rong Ma, DAN ZENG et al.•Higher Education•2025

Citas por año1
Intervalo de citas2025 - 2025 (1)
Altamente citadoNo

Herramientas

Abrir DOIOpen Access
Ethnos_APP • Proyecto Open Source • Licencia MIT • Frontend v2.0.0 • Privacidad y Cookies • Documentación de la API: api.ethnos.app/docs • Código de la API: GitHub • DOI: 10.5281/zenodo.17049435 • Código del Frontend: GitHub • DOI: 10.5281/zenodo.17050053 • cruz.rio.br • Expectantes Misericordiae