Portrayal of Women in Contemporary Nollywood Films

Isoken and King of Boys in Focus

Datos Bibliográficos

ID22007293
AutoresEmwinromwankhoe Osakpolor (0000-0002-9935-0478, University of Science and Technology of Benin, autor de correspondencia)
Año2021
Volumen9
Número1
Páginas117-145
Fecha de publicación2021-07-14
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaCINEJ Cinema Journal (JOURNAL)
Identificadores de la revistaISSN: 2158-8724 • E-ISSN: 2159-2411
EditorialUniversity Library System, University of Pittsburgh (PUBLISHER • US)
DOI10.5195/cinej.2021.299
OpenAlexW3182255191
IdiomaEN
Citas recibidas11
Referencias citadas6

This study investigates the portrayal of women in contemporary Nollywood films, using Isoken (2017) and King of Boys (2018) as case studies. The objective was to highlight the various ways in which women in the films are portrayed to viewers and ascertain whether contemporary Nollywood movies are an improvement on the issues of gender stereotypes and sexism which are hitherto prevalent in the industry. Anchored on the cultivation theory, the study adopted the qualitative content analysis method. Findings showed that women in the studied films are negatively portrayed in various ways and that these portrayals are, at best, parallel to the stereotypical ways in which women were portrayed in previous Nollywood movies. Taking cognizance of the fact that both films are directed by women, the researcher recommends that Nollywood female directors should look beyond the lenses of financial gains and set a pace with regards to changing the narrative and portraying Nigerian women in a positive light

Art · Film industry · Focus group · Geography · Literature · Media studies · Movie theater · Narrative · Pace · Political science · Sociology · Visual arts · Anthropology · COVID-19 Pandemic Impacts · Gender Studies · Media, Gender, and Advertising · South Asian Cinema and Culture