The Path of Soviet Cinema to Great Changes and Freedom from the Period of “Stagnation” to “Perestroika”
Datos Bibliográficos
| ID | 22010295 |
|---|---|
| Autores | Alena Ianushko (Russian State University of Cinematography named after SA Gerasimov, autor de correspondencia) |
| Año | 2022 |
| Volumen | 12 |
| Número | 04 |
| Páginas | 75-83 |
| Fecha de publicación | 2022-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Advances in Applied Sociology (JOURNAL) |
| Identificadores de la revista | ISSN: 2165-4328 • E-ISSN: 2165-4336 |
| Editorial | Scientific Research Publishing, Inc. (PUBLISHER) |
| DOI | 10.4236/aasoci.2022.124007 |
| OpenAlex | W4226435070 |
| Idioma | EN |
| Referencias citadas | 1 |
The transitional period in Soviet cinematography coincides with the historical period called “perestroika”. Children become heroes of the “stagnation” period. However, they are different from the “archetype of the young hero” that is shown in the student films of Tarkovsky and Konchalovsky. The main themes of the movies are the problems of the youth. The filmmakers analyze such themes as education, conflict between a child and adult, and common mistakes of different generations. They treat these problems as a result of a static state of society. The youth become a powerful force that revives the concepts of “change” and “freedom”
Aesthetics · Archetype · Art · Art history · Cinematography · Economic history · HERO · Literature · Movie theater · Political science · Sociology · Visual arts · History · Scientific Research and Philosophical Inquiry · Security, Politics, and Digital Transformation · Sociopolitical Dynamics in Russia
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |