Co-Creation From the Grassroots

Listening to Arts-Based Community Organizing in Little Tokyo

Datos Bibliográficos

ID22018607
AutoresJonathan Jae-An Crisman (0000-0003-0091-4630, University of Arizona, autor de correspondencia)
Año2022
Volumen7
Número3
Fecha de publicación2022-07-26
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaUrban Planning (JOURNAL)
Identificadores de la revistaISSN: 2183-7635 • E-ISSN: 2183-7635
EditorialCogitatio (PUBLISHER • PT)
DOI10.17645/up.v7i3.5336
OpenAlexW4287958822
IdiomaEN
Citas recibidas8
Referencias citadas29

Co-creation has been adopted by some as a new paradigm for collaborative and participatory planning, especially through the introduction of creative and artistic practices which can disrupt the problematic power relationships latent within urban projects and knowledge creation. Co-creation research, however, has often focused on practices which connect empowered institutional actors, such as city planning officials, from the top down to less empowered grassroots and community actors. Co-creation can take myriad forms, however, and I use evidence from the Los Angeles community of Little Tokyo to, first, model grassroots-driven co-creation. Second, this example shows how empowered actors can practice “listening” as defined within public spheres literature to better respond to grassroots-driven co-creation. Third, Little Tokyo has also been the site of another promising form of co-creation practice: horizontal co-creation across multiple grassroots actors. In sum, I argue that co-creation practices which emanate from the grassroots can provide valuable insights, further a more just and inclusive city, and deserve more attention

Active listening · Citizen journalism · Grassroots · Political science · Politics · Public relations · Sociology · Cultural Industries and Urban Development · Innovative Approaches in Technology and Social Development · Public Administration · Service and Product Innovation