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“Theater lies. And admits it. In the midst of the crisis of media it is a very valuable quality”

Datos Bibliográficos

ID22137888
AutoresP Rudnev, E S Maksimova (0000-0002-2749-5803, Southern Federal University), Екатерина Сергеевна Максимова (Southern Federal University)
Año2020
Volumen5
Número1
Páginas7-17
Fecha de publicación2020-03-01
Open AccessSí
TipoARTICLE
RevistaPractices & Interpretations A Journal of Philology Teaching and Cultural Studies (JOURNAL)
Identificadores de la revistaISSN: 2415-8852
EditorialSouthern Federal University (PUBLISHER • RU)
DOI10.18522/2415-8852-2020-1-7-17
OpenAlexW3162303444
IdiomaEN

Pavel Rudnev – theatre scholar, theatre critic, PhD (Art History), Associate professor at the studio school of the Moscow Art Academic Theatre (MHAT) and the State Institute of Theatre Arts (GITIS). Author of the books, “Theatrical Views of Vassily Rozanov” (2003), and “Drama of Memory. Essays on the history of Russian drama from Rozov to the present day” (2018). In this issue of P&I, Pavel Rudnev discusses the boundaries between theatre and performance, searches for the main theme of contemporary Russian drama, and talks about Kudymkar and Lesosibirsk, cities in which theatre is especially valued. Interview by Ekaterina Maximova

Art · Art history · Drama · Literature · Media studies · Political theatre · Sociology · Studio · The arts · Theatre director · Theatre studies · Visual arts · Computer Science · Eastern European Communism and Reforms · History · Security, Politics, and Digital Transformation · Sociopolitical Dynamics in Russia

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