Making Whiteness
Art, Luxury, and Race in Eighteenth-Century France
Datos Bibliográficos
| ID | 22158346 |
|---|---|
| Autores | Marika Takanishi Knowles (autor de correspondencia) |
| Año | 2022 |
| Número | 13 |
| Fecha de publicación | 2022-01-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal18 (JOURNAL) |
| Identificadores de la revista | ISSN: 2470-5683 • E-ISSN: 2470-5683 |
| Editorial | Journal18 (PUBLISHER) |
| DOI | 10.30610/13.2022.1 |
| OpenAlex | W4285263506 |
| Idioma | EN |
Marika Takanishi Knowles Josiah Wedgwood’s anti-slavery medallion, “Am I Not a Man and a Brother?” (1787), is widely known as an example of the fraught representation of enslaved persons during the eighteenth century
Aesthetics · Art · Art history · Sociology · Visual arts · Gender Studies · Historical Art and Culture Studies
| Altamente citado | No |
|---|