The Banque Royale Ceiling and the Imagery of Finance in the Age of Absolutism
Datos Bibliográficos
| ID | 22158352 |
|---|---|
| Autores | William N Goetzmann, Darius A Spieth |
| Año | 2020 |
| Número | 10 |
| Fecha de publicación | 2020-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal18 (JOURNAL) |
| Identificadores de la revista | ISSN: 2470-5683 • E-ISSN: 2470-5683 |
| Editorial | Journal18 (PUBLISHER) |
| DOI | 10.30610/10.2020.3 |
| OpenAlex | W3112668167 |
| Idioma | EN |
William N. Goetzmann and Darius A. Spieth In an influential study of the mechanisms of absolutist power, Louis Marin compared the icon of Jansenism, Philippe de Champaigne’s Christ on the Cross (Fig. 1), to the Sun King’s official state portrait by Hyacinthe Rigaud (Fig
Absolute monarchy · Economics · Geography · Political science · Politics · Housing, Finance, and Neoliberalism · Law
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |