New Temporalities in Music
Datos Bibliográficos
| ID | 2216640 |
|---|---|
| Autores | Jonathan D Kramer (autor de correspondencia) |
| Año | 1981 |
| Volumen | 7 |
| Número | 3 |
| Páginas | 539-556 |
| Fecha de publicación | 1981-04-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Critical Inquiry (JOURNAL) |
| Identificadores de la revista | ISSN: 0093-1896 • E-ISSN: 1539-7858 |
| Editorial | University of Chicago Press (PUBLISHER • US) |
| DOI | 10.1086/448114 |
| OpenAlex | W1997918286 |
| Idioma | EN |
| Citas recibidas | 18 |
Aesthetics · Art · Art history · Silence · Temporalities · Theology · Visual arts · History · Music Technology and Sound Studies · Neuroscience and Music Perception · Philosophy
A Intertextualidade e o Estranho Retorno Infinito
Temporality in Nineteenth-Century Russian Music and the Notion of Development
Expressive Circles—original Concept Regarding the Structural and Dramaturgical Aspects of the Musical Composition in the Piece Expressive Circles—three Pieces for Piano Trio
Considering Golden Section Proportionality in Popular Music
Time Models in Myth and Music of the 20th Century
(Per)forming Open Form
Accessible Narratives
Quotation, Psychogeography, and the ‘Journey Form’ in the Music Theatre of Bernhard Lang and Chico Mello
Structural, cognitive and semiotic aspects of the musical present
Snapshots in Sound
Mathias Spahlinger's passage/paysage and ‘the Barbarity of Continuity’
For a Relational Musicology
Making Time
Strange yet Familiar Sounds in Zosha Di Castri’s String Quartet No. 1
Authorship and Improvisation
Music, Mediation Theories and Actor-Network Theory
Rhythm and the Cold War Imaginary
Postmodernism, narrativity, and the art of memory
| Obras citantes distintas | 18 |
|---|---|
| Citas por año | 0,49 |
| Intervalo de citas | 1989 - 2026 (38) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 17 |