Alternative Modes of Mapping
Datos Bibliográficos
| ID | 22264240 |
|---|---|
| Autores | Alex Schultz (autor de correspondencia) |
| Año | 2023 |
| Volumen | 3 |
| Número | 0 |
| Fecha de publicación | 2023-05-31 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | react/review a responsive journal for art and architecture (JOURNAL) |
| Identificadores de la revista | ISSN: 2768-3168 • E-ISSN: 2768-3168 |
| Editorial | California Digital Library (CDL) (PUBLISHER) |
| DOI | 10.5070/r53061230 |
| OpenAlex | W4378905819 |
| Idioma | EN |
| Referencias citadas | 3 |
Nathan Shui’s essay on the 2013 Beijing Queer Film Festival considers a new geography for queer spatial tactics of interpolation. A documentary still-frame included in the author’s essay displays a collage of photographs, blue lines, and other symbols affixed to what seems to be a typical road map of Beijing and surrounding areas. These annotations serve to make queer space visible while simultaneously obscuring official or government-approved modes of interacting with the city. For me, this brings critical attention to any map’s discursive obstruction. Maps are not neutral depictions of fact: like any representation they are selective and rhetorical
Aesthetics · Archaeology · Art · Beijing · China · Linguistics · Literature · Political science · Politics · Queer · Rhetorical question · Sociology · European history and politics · Gender Studies · History · Japanese History and Culture · Law · Philippine History and Culture · Philosophy
| Altamente citado | No |
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