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Sławomir Mrożek at the Tatar stage

The metamorphoses of Polish stage

Datos Bibliográficos

ID22337494
AutoresM М Хабутдинова (0000-0001-8110-4001, Kazan Federal University), Mileusha Khabutdinova, Rezeda Mukhametshina (0000-0002-8222-6622, Kazan Federal University)
Año2018
Volumen8
Número2
Páginas309-318
Fecha de publicación2018-11-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaPrzegląd Wschodnioeuropejski (JOURNAL)
Identificadores de la revistaISSN: 2081-1128 • E-ISSN: 2450-0828
EditorialUniwersytet Warminsko-Mazurski (PUBLISHER)
DOI10.31648/pw.3589
OpenAlexW3013419432
IdiomaEN

In this article we analyzed the stage interpretation of Sławomir Mrożek’s play on the scene of Tatar theatre. The performance of “Shashkan babay” (“The mad grandfather”) play was staged on the 10th of February, 2016 by Karim Tinchurin drama and comedy theatre in Kazan. It was the first staging of Sławomir Mrożek’s in Tatar language. In this article we generalize the history of Sławomir Mrożek’s plays production waves in Russia. The specifics of Polish text interpretation by producer Rashid Zagidullin was outlined. We proved that “Shashkan babay” play production continues the best tradition of Russian and Polish theatres

Art · Comedy · Drama · Linguistics · Literature · Tatar · Cultural, Linguistic, Economic Studies · Eastern European Communism and Reforms · History · Philosophy · Security, Politics, and Digital Transformation · Geology

Velocidad de citaciónhistorical
Altamente citadoNo

Herramientas

Abrir DOIOpen Access
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