Asian Canadian Photopoetics Fred Wah’s “Sentenced to Light”
Datos Bibliográficos
| ID | 22346997 |
|---|---|
| Autores | Glenn Deer (University of British Columbia Hospital, autor de correspondencia) |
| Año | 2015 |
| Volumen | 1 |
| Número | 1-2 |
| Páginas | 63-83 |
| Fecha de publicación | 2015-02-24 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Asian Diasporic Visual Cultures and the Americas (JOURNAL) |
| Identificadores de la revista | ISSN: 2352-3077 • E-ISSN: 2352-3085 |
| Editorial | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.1163/23523085-00101004 |
| OpenAlex | W2024686506 |
| Idioma | EN |
| Referencias citadas | 1 |
Asian Canadian Photopoetics describes the self-conscious epistemological interplay between photographs and Fred Wah’s “prose-poem sentences,” a process that graphically unfolds “around” the photographs in Sentenced to Light (2008). Wah’s photopoetics, influenced by Roy Kiyooka and racialized Asian Canadian contexts, are primarily marked by figures of ellipsis and extrapolation. These photopoetic tactics support “a poetics of the hyphen, another tool in the resistance to closure that sustains the dynamics of ‘betweenness’.”
Art · Betweenness centrality · Linguistics · Literature · Poetics · Poetry · Political science · Sociology · Artistic and Creative Research · History · Law · Mathematics · Philosophy
| Altamente citado | No |
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