Multimodality
Reshaping Anthropology
Datos Bibliográficos
| ID | 2295563 |
|---|---|
| Autores | Mark R Westmoreland (0000-0002-5669-8781, Leiden University, autor de correspondencia) |
| Año | 2022 |
| Volumen | 51 |
| Número | 1 |
| Páginas | 173-194 |
| Fecha de publicación | 2022-10-24 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | Annual Review of Anthropology (BOOK_SERIES) |
| Identificadores de la revista | ISSN: 0084-6570 • E-ISSN: 1545-4290 |
| Editorial | Annual Reviews (PUBLISHER • US) |
| DOI | 10.1146/annurev-anthro-121319-071409 |
| OpenAlex | W4285800569 |
| Idioma | EN |
| Citas recibidas | 33 |
| Referencias citadas | 131 |
Multimodality offers anthropologists an inflection on the way we do research, produce scholarship, teach students, and relate to diverse publics. Advancing an expanding array of tools, practices, and concepts, multimodality signals a change in the way we pay attention and attend to the diverse possibilities for understanding the human experience. Multimodality recognizes the way smartphones, social media, and digital software transform research dynamics in unprecedented ways, while also drawing upon long-standing practices of recording and presenting research through images, sounds, objects, and text. Rather than flatten out ethnographic participant observation into logocentric practices of people-writing, multimodal ethnographies diversify their modes of inquiry to produce more-than-textual mediations of sensorial research experiences. By emphasizing kaleidoscopic qualities that give shape to an emergent, multidimensional, and diversifying anthropology, multimodality proposes alternatives to enduring and delimiting dichotomies, particularly text/image. These new configurations invite unrealized disciplinary constellations and research collaborations to emerge, but also require overhauling the infrastructures that support training, dissemination, and assessment
Affordance · Discipline · Epistemology · Ethnography · Human–computer interaction · Linguistics · Multimodality · Political science · Scholarship · Social science · Sociology · Anthropology · Computer Science · Innovative Human-Technology Interaction · Participatory Visual Research Methods · Posthumanist Ethics and Activism
La promesa multimodal
What does anthropology do now?
Fostering children’s agency in their learning futures
Of Words and Sounds
Illumina
Remapping trans-Himalayan studies in the digital domain during the Covid-19 pandemic
Straightening the Maelstrom
Tentacular relations of data
Screen as stage
Epistemic attunements
Commentary
Becoming Community. Filmmakers Crafting Futures in an Andean Town
Still Lifes
The Hands as Reflex Republic
Withering Refuge
Soundscapes and storytelling in literary interviews
Ethnographic film as world‐making
Let Atlantis Sink
Reorienting Collaborative–Creative Methodologies
Managing death in exile
On the Compositional Relationship of Text and Image in Graphic Anthropology
Indigenous Women’s Politics of Care
"This sunken land." Literary writers mending and unsettling landscapes in Iceland
Les artefacts sonnent l'alarme dans un makerspace de Barcelone ! Explorations autour d'une fiction ethnographique illustrée
Illumina
Enriching Qualitative Inquiry
Broad Data
Multimodal Communication in Nonhuman Primates and Humans
Refusal (and Repair)
Anthropology and complicated people
Introduction
Phoning Home
Econography
Visualizing theory
Innovation in Ethnographic Film
Music, Language, and Texts
Beyond observation
Writing Culture
Senses, Anthropology of the
Reframing Visual Social Science
The Skin of the Film
The Future of Visual Anthropology
The Slow Professor
Multimodality
I Swear I Saw This
Introducing Multimodality
Vision, Race, and Modernity
Iconophobia
Visual Anthropology in a Discipline of Words
Acoustemology
The Interpretation of Cultures
Picturing Culture
Visual anthropology
Contemporary Art and Anthropology
Time and the Other
Principles of Visual Anthropology
There Are No Visual Media
Between Art and Anthropology
Introducing the Anthropologist as Writer
Postmodernism, Post-structuralism and Post(Critical) Ethnography
The Ethnographer's Eye
Transcultural Montage
Visualizing Anthropology
Skilled Visions
Doing Visual Ethnography
An Introduction to Visual Culture
Ordinary Affects
Visual Methods in Social Research
Sensuous Scholarship
Data management in anthropology
The Day of Shelly's Death
A scoping review to identify the techniques frequently used when analysing qualitative visual data
Learning from linguistics
Metaphors we experiment with in multimodal ethnography
The Professionalization of Visual Anthropology in the United States
Reframe, Redesign, Realign
Reclaiming D iné F ilm
Introduction
Visual Field Notes
Film Review Essay
Making sense
Multimodal Discourse
Suturing the City. Living Together in Congo's Urban Worlds
Feral Atlas
Alive in the Writing
Seeing, Hearing, Feeling
The Parallax Effect
Bootlegged
Pedagogies of the Senses Multimodal Strategies for Unsettling Visual Anthropology
The Photo Essay
Resounding Participatory Ethnography
Narrativity and Metaphor in Ethnographic Film
On the Transition
After Method
Experimenting with Ethnography
Doing Sensory Ethnography
Karrabing
Women in the field
Networked Anthropology
Through Navajo Eyes
Street Style
Ethnography for the Internet
What Do We Want Anthropology to Resemble
Visual Culture
Red Man's Burden
The Woman on the Other Side of the Wall
Beyond the Ethico-aesthetic
Arcticnoise and Broadcasting Futures
Culture, Globalization, Mediation
Making
Lines
Situated Knowledges
Sonic ethnography
Doing anthropology in sound
Visual Anthropology Is Dead, Long Live Visual Anthropology
Whither Ethnographic Film
The Corporeal Image
Sound + Vision
After objectivity
Voices of the Rainforest
Multimodal ethnography
Guidelines for data management and scientific integrity in ethnography
An Excess of Description
The Anthropology of Online Communities
The Reorganization of the Sensory World
Multisensory Anthropology
Design and Anthropology
Soundscapes
Ethnography Is, Ethnography Ain't
Serendipitous Sculpture
Multimodal Ambivalence
On the Possibility of Radical, Rigorous Generosity as an Editorial Ethos
Decolonizing Visual Anthropology
| Obras citantes distintas | 33 |
|---|---|
| Citas por año | 11 |
| Intervalo de citas | 2023 - 2026 (4) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 30 |