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Indépendance Cha Cha

African Pop Music since the Independence Era

Datos Bibliográficos

ID2303198
AutoresHauke Dorsch (Johannes Gutenberg University in Mainz, Germany, where he also serves as the director of the African Music Archive., autor de correspondencia)
Año2010
Volumen45
Número3
Páginas131-146
Fecha de publicación2010-12-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaAfrica Spectrum (JOURNAL)
Identificadores de la revistaISSN: 0002-0397 • E-ISSN: 1868-6869
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/000203971004500307
OpenAlexW1602916363
IdiomaFR
Citas recibidas9
Referencias citadas8

Investigating why Latin American music came to be the sound-track of the independence era, this contribution offers an overview of musical developments and cultural politics in certain sub-Saharan African countries since the 1960s. Focusing first on how the governments of newly independent African states used musical styles and musicians to support their nation-building projects, the article then looks at musicians' more recent perspectives on the independence era

Art · Independence (probability theory · Latin Americans · Musical · Political economy · Political science · Politics · Sociology · Visual arts · Diverse Musicological Studies · Law · Music History and Culture

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  • Nightsong

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  • The black Atlantic

    Paul Gilroy•The black Atlantic•1993

  • A History of Postcolonial Lusophone Africa

    Patrick Chabal•A history of postcolonial…•2002

  • Anthologie de la nouvelle poésie nègre et malgache de langue française

    Robert E Morsberger, Katharine M Morsberger et al.•Books Abroad•1971

  • Intonations

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  • Democracy as a Limiting Factor for Politicised Cultural Populism in Malawi

    Open Access•Reuben Makayiko Chirambo•Africa Spectrum•2009

Obras citantes distintas9
Citas por año0,75
Intervalo de citas2014 - 2025 (12)
Velocidad de citaciónrecent
Altamente citadoNo
Tipos de citaNeutras: 9
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