Alien Agency
Experimental Encounters with Art in the Making
Datos Bibliográficos
| ID | 23154652 |
|---|---|
| Autores | Andrew Pickering (0000-0003-1545-2192), C J SALTER (0000-0002-3168-8659, autor de correspondencia), Chris Salter |
| Año | 2015 |
| Páginas | 328 |
| Fecha de publicación | 2015-02-06 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Alien Agency (SOURCE_BOOK) |
| Editorial | The MIT Press (PUBLISHER • US) |
| DOI | 10.7551/mitpress/9356.001.0001 |
| OpenAlex | W4230458053 |
| Open Library | OL29718885M |
| ISBN | 9780262323598 |
| Idioma | EN |
| Citas recibidas | 24 |
An investigation into what happens in creative practice when the materials of art and research behave and perform in ways beyond the creators' intentions. In Alien Agency, Chris Salter tells three stories of art in the making. Salter examines three works in which the materials of art—the “stuff of the world”—behave and perform in ways beyond the creator's intent, becoming unknown, surprising, alien. Studying these works—all three deeply embroiled in and enabled by science and technology—allows him to focus on practice through the experiential and affective elements of creation. Drawing on extensive ethnographic observation and on his own experience as an artist, Salter investigates how researcher-creators organize the conditions for these experimental, performative assemblages—assemblages that sidestep dichotomies between subjects and objects, human and nonhuman, mind and body, knowing and experiencing. Salter reports on the sound artists Bruce Odland and Sam Auinger (O+A) and their efforts to capture and then project unnoticed urban sounds; tracks the multi-year project TEMA (Tissue Engineered Muscle Actuators) at the art research lab SymbioticA and its construction of a hybrid “semi-living” machine from specially grown mouse muscle cells; and describes a research-creation project (which he himself initiated) that uses light, vibration, sound, smell, and other sensory stimuli to enable audiences to experience other cultures' “ways of sensing.” Combining theory, diary, history, and ethnography, Salter also explores a broader question: How do new things emerge into the world and what do they do?
Agency (philosophy) · Alien · Political science · Politics · Social science · Sociology · Law · Political Philosophy and Ethics · Artificial life · Creation (Literary, artistic, etc.) · Experience · Philosophy · Senses and sensation · Technology · Tissue culture
Posthumanist Movement Art Pedagogy
Digital choreographies
Performativity without theatricality
Augmented Reality and the Dematerialization of Experiential Art
ASTS as method
Microperformativity and Biomediality
Imaging urban doppelgängers
Drawing Together and Falling Apart
A Killjoy of Architecture
Disturbance, Translation, Enculturation
Home Charms”
Mind extended
Deep learning as machine metis
Performing with the other
Making Problems
Human–Machine Relations Composed, Decomposed, Recomposed
Make, learn, exhibit and share with others
Mechanical Vibration Patterns as a Generative Tool for Visual Art
Responsible combodying
Beyond Service-Subordination
Speculative designs
The Skinscape
Expérience acoustique et pratiques musicales de musiciens de métro
Multisensory Anthropology
| Obras citantes distintas | 24 |
|---|---|
| Citas por año | 2,4 |
| Intervalo de citas | 2016 - 2026 (11) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 24 |