Siegfried Kracauer
An Introduction
Datos Bibliográficos
| ID | 23184219 |
|---|---|
| Autores | Gertrud Koch |
| Traductores | Jeremy Gaines |
| Año | 2000 |
| Páginas | 200 |
| Fecha de publicación | 2000-03-27 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Siegfried Kracauer (SOURCE_BOOK) |
| Editorial | Princeton University Press (PUBLISHER • US) |
| DOI | 10.1515/9781400823642 |
| OpenAlex | W4253483388 |
| Open Library | OL29053791M |
| ISBN | 9781400823642 |
| Idioma | EN |
| Citas recibidas | 20 |
Siegfried Kracauer has been misunderstood as a naïve realist, appreciated as an astute critic of early German film, and noticed as the interesting exile who exchanged letters with Erwin Panofsky. But he is most widely thought of as the odd uncle of famed Frankfurt School critical theorists Jürgen Habermas, Theodor Adorno, Walter Benjamin, and Max Horkheimer. Recently, however, scholars have rediscovered in Kracauer's writings a philosopher, sociologist, and film theorist important beyond his associations--and perhaps one of the most significant cultural critics of the twentieth century. Gertrud Koch advances this Kracauer renaissance with the first-ever critical assessment of his entire body of work. Koch's analysis, which is concise without sacrificing thoroughness or sophistication, covers both Kracauer's best-known publications (e.g., From Caligari to Hitler, in which he gleans the roots of National Socialism in the films of the Weimar Republic) and previously underexamined texts, including two newly discovered autobiographical novels. Because Kracauer's wide-ranging works emerge from no rigidly unified approach, instead always remaining open to unusual and highly individual perspectives, Koch resists the temptation to force generalization. She does, however, identify recurring tropes in Kracauer's lifetime effort to perceive the basic posture and composition of particular cultures through their visual surfaces. Koch also finds in Kracauer a surprisingly contemporary cultural commentator, whose ideas speak directly to current discussions on film, urban modernity, feminism, cultural representation, violence, and other themes. This book was long-awaited in Germany, as well as widely and well reviewed. Now translated into English for the first time, it will fuel already growing interest in the United States, where Kracauer lived and wrote from 1941 until his death in 1966. It will attract the attention of students and scholars working in Film Studies, German Studies, Comparative Literature, Critical Theory, Cultural Studies, Philosophy, and History.
Art, Politics, and Modernism · European history and politics · Geology · German History and Society · German Social Sciences and History · Medical History and Research · Religion, Theology, History, Judaism, Christianity · Germany · Intellectual life · Motion pictures
Hairy Screens, Filmic Follicles
Scp>Kracauer,Siegfried (1889–1966)
Kracauer and Tarkovsky’s Cinema of Redemptive Estrangement
The return of 1960s modernist cinema
Insurgent Archive
Things Happen
“We Are Moving with Technology”
“The Truth Is in the Soil”
Citizenship, Contingency, and Futurity
Habermas, mass communication technology and the future of the public sphere
Landscapes of deliquescence in Michelangelo Antonioni's Red Desert
Kracauer photographe de la vie moderne. Une leçon méthodologique pour la sociologie postmoderne
The Man With the Leaking Bucket
Writing the Asphalt Jungle
Mimesis as a Mode of Knowing
The Anonymity of Siegfried Kracauer
Intimacy as freedom
Siegfried Kracauer's Differentiating Approach to Friendship
Aggressive Reader and Submissive Spectator
Dismantling the Subject
| Obras citantes distintas | 20 |
|---|---|
| Citas por año | 0,87 |
| Intervalo de citas | 2003 - 2025 (23) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 19 |