Towards streaming as a dominant mode of media use? A user typology approach to music and television streaming
Datos Bibliográficos
| ID | 23211519 |
|---|---|
| Autores | Marika Lüders (0000-0002-5168-9712, University of Oslo), Vilde Schanke Sundet (0000-0003-2373-6806, University of Oslo), Terje Colbjørnsen (0000-0001-5849-2851, Department of Archivistics , Library and Information Science , OsloMet , Norway) |
| Año | 2021 |
| Volumen | 42 |
| Número | 1 |
| Páginas | 35-57 |
| Fecha de publicación | 2021-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Nordicom review/NORDICOM review (JOURNAL) |
| Identificadores de la revista | ISSN: 1403-1108 • E-ISSN: 2001-5119 |
| Editorial | Walter de Gruyter GmbH (PUBLISHER • DE) |
| DOI | 10.2478/nor-2021-0011 |
| OpenAlex | W3134367115 |
| Idioma | EN |
| Citas recibidas | 8 |
| Referencias citadas | 40 |
Music and television streaming services present users with abundant catalogues of content available on demand. We investigate whether users respond by narrowing or widening the diversity of content they consume. Further, we examine how the different logics characterising music and television streaming are mirrored in the number of streaming services people use. To do so, we compare non-, sporadic, regular, and frequent users of television and music streaming services. Findings from a cross-sectional survey in Norway show that frequent streamers consume a wider variety of genres and rely on more services. Our results also indicate that streaming has gone from a first-mover activity to a standard consumer mode. This study indicates that we can expect continued growth in television streamers, whereas the music streaming industry seems more consolidated.
Advertising · Business · Computer network · Diversity (politics) · Geography · Human–computer interaction · Live Streaming · Mode (computer interface) · Multimedia · Social media · Sociology · Streaming current · Typology · User-generated content · Variety (cybernetics) · Video Streaming · World Wide Web · Computer Science · Cultural Industries and Urban Development · Digital Games and Media · Digital Marketing and Social Media
Streaming across industries
Collecting streaming services
Streaming Platforms, Filter Bubbles, and Cultural Inequalities. How Online Services Increase Consumption Diversity
Digitalization and Sustainability
Streaming the news away? Video and audio streaming entertainment and news use in the United Kingdom and Brazil
One More Turn after the Algorithmic Turn? Spotify’s Colonization of the Online Audio Space
Digitalization and sustainability
Self-determined or controlled, seeking pleasure, or meaning? Identifying what makes viewers enjoy watching television on streaming services
Netflix Nations
We Now Disrupt This Broadcast
Desperately Seeking the Audience
Re-scheduling Television in the Digital Era
The Cultural Industries
The streaming network
Control, curation and musical experience in streaming music services
Ubiquitous tunes, virtuous archiving and catering for algorithms
Advanced Categorical Statistics
Portals
The Quirks of Digital Culture
Sprinting a media marathon
House of Netflix
Musical exploration via streaming services
When is a discovery? The affective dimensions of discovery in music consumption
Conceptualizing the Experiential Affordances of Watching Online TV
Pushing music
Measurement of risk perceptions in social research
Operationalizing exposure diversity
The dimensions of streaming
Online TV
Approaching media industries comparatively
News Media Old and New
Netflix Nations
The Playlist Experience
Approaching the cultures of use
| Obras citantes distintas | 8 |
|---|---|
| Citas por año | 1,6 |
| Intervalo de citas | 2021 - 2026 (6) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 8 |