Historiography and Historiophoty
Datos Bibliográficos
| ID | 23316624 |
|---|---|
| Autores | Hayden White (autor de correspondencia) |
| Año | 1988 |
| Volumen | 93 |
| Número | 5 |
| Páginas | 1193 |
| Fecha de publicación | 1988-12-01 |
| Peer Reviewed | Sí |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | The American Historical Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0002-8762 • E-ISSN: 1937-5239 |
| Editorial | JSTOR (PUBLISHER) |
| DOI | 10.2307/1873534 |
| OpenAlex | W4233036028 |
| Idioma | EN |
| Citas recibidas | 73 |
Archaeology · Historiography · European Political History Analysis · Historical and Contemporary Political Dynamics · History · World Wars: History, Literature, and Impact
Constructing a Biopic Screenplay
A recente história política brasileira entre a comédia e a tragédia nos filmes Jânio a 24 Quadros (1981, de Luís Alberto Pereira) e Jango (1984, de Sílvio Tendler)
Sans foi ni loi
Towards a Visual Literacy
Jogando o Passado
Desequilíbrio de histórias parte I
La memoria histórica en el corregimiento de Juanchito (Cali, Colombia)
El cine como fuente para la investigación histórica. Orígenes, actualidad y perspectivas
Cinema e História
Cinema, história, memória e verdade
Envisioning the Past
History and Latin American Cinemas in the Twenty-first Century
Confronting Ecological Monstrosity
Images of History and the Optical Unconcious
Screening East Timorese Women and History in Timor‐Leste's Beatriz's War
Belonging in Auto|Biographical Comics
Imágenes melancólicas. El cine de las revoluciones vencidas
Introduction to Political Biography in Literature and Cinema
From Political Biography to Political Event
Variáveis do filme histórico ficcional e o debate sobre a escritura fílmica da história
For Transformative Knowledge and Postnationalist Public Spheres
Photographs of newsrooms
Educational discourse in film
Great Patriotic War in Soviet and Post-Soviet Cinematography
Playing the past
Challenging Ontological Order
De instante eterno a fuente de memoria
The glamour of the Muhteşem Yuzyil
Film Review
Viewing the Past
Televisual memory and the New Zealand Wars
Transmedia history
Landscape and ‘Location’
Filming the Middle Ages
The indocile image
The future of history as film
Reflecting materiality
The Finnish Twitter war
The historian is present
La Historia en las producciones cinematográficas de combates aéreos
Narrativa histórica transmedia y visibilización de las mujeres
Editing reality
(Captain) America in crisis
Esclavage et tourisme mémoriel à New York
Korean “Imperial Soldiers”
“Frantic to Join … the Japanese Army”
Io so ’
The age of innocence? Child narratives and Italian Holocaust films
Historian among Filmmakers
‘Can You See Her the Way I Do?’
D UK? 3D History and the Absent British Pioneers
Playing the dictator
Diamonds at the margin of empires
Stories of Disaster as Sites of Mitigation
Producing the Past With the Digital
Rob Roy in Rondebosch
Laudisi's Laughter
Simulating the Past in the Present through Biopics
Le printemps de Paris
The archaeological aesthetic in ancient world documentary
Theorizing mimesis across social studies contexts of mimicry, imitation, and simulation
Nostalgia and nationalism
British Politics and Cinema's Historical Dramas, 1929–1938
Patriots, Villains, and the Quest for Liberty
An Histoire Juridique Commune? Historiographical frames in European and Inter-American human rights narratives
A Independência E Suas Possíveis Representações Na Cinematografia Brasileira
Historiofotia, tropologia e história
Absent in Body, Present in Spirit
Introducción
Singing His Praises
Champ et hors champ de l'anthropologie visuelle
Representing Militancy
Picturing India
| Obras citantes distintas | 73 |
|---|---|
| Citas por año | 2,03 |
| Intervalo de citas | 1990 - 2026 (37) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 53 |