Terror, Horror and the British Atlantic Slave Trade in the Eighteenth Century

Datos Bibliográficos

ID23487237
AutoresTrevor Burnard (0000-0002-6514-9733, autor de correspondencia)
Año2020
Páginas17-35
Fecha de publicación2020-03-31
Peer ReviewedSí
Open AccessSí
TipoCHAPTER
RevistaCambridge World History of Violence (SOURCE_BOOK)
EditorialCambridge University Press (PUBLISHER • US)
DOI10.1017/9781316340592.002
OpenAlexW3011106343
ISBN9781316340592
IdiomaEN
Citas recibidas3
Referencias citadas21

Violence permeated every aspect of the slave trade. By the late eighteenth century, highlighting the violence in the trade was a central plank of an emerging abolitionist campaign against the institution. The slave trade seemed to presage the worst features of a developing merchant capitalism. It was out of step with rising Enlightenment ideas of sentimental attachment to others. It came to be seen as an almost uniquely horrible industry, one that, however valuable it was to European commerce, needed to be ended as soon as possible. But if the slave trade was a scene of horrors, it also aroused a different emotion – terror. The careful application of violence was central to every part of the slave trade experience. The anticipation of such violence was carefully used as a tool by participants in the trade to keep captive Africans in check, and helps to explain the transformation of African captives into enslaved persons. The terror of the slave trade can be seen graphically in James Field Stanfield’s The Guinea Voyage . Stanfield used mechanistic metaphors to describe the trade. He showed how captives and sailors were kept powerless so that the ‘vast machine’ could make money for British and African merchants.

Ancient history · Art · Art history · Atlantic slave trade · Atlantic World · Economic history · Colonialism, slavery, and trade · Global Maritime and Colonial Histories · Historical Economic and Social Studies · History