Shakespeare and the Idea of the Book

Datos Bibliográficos

ID23767239
AutoresCharlotte Scott (0000-0003-1770-2546, autor de correspondencia)
Año2007
Fecha de publicación2007-03-29
Open AccessNo
TipoBOOK
RevistaSHAKESPEARE AND THE IDEA OF THE BOOK. (SOURCE_BOOK)
EditorialOxford University Press (PUBLISHER • GB)
DOI10.1093/acprof:oso/9780199212101.001.0001
OpenAlexW1864947359
ISBN9780199212101
IdiomaEN
Citas recibidas7
Referencias citadas18

The ‘book’ — both material and metaphoric — is a recurring theme in William Shakespeare’s plays: it is held by Hamlet as he turns through revenge to madness; buried deep in the mudded ooze by Prospero when he has shaken out his art like music and violence; forced by Richard II to withstand the mortality of deposition, fetishised by lovers, tormented by pedagogues, lost by kings, written by the alienated, and hung about war with the blood of lost voices. The ‘book’ begins and ends Shakespeare’s dramatic career as change itself, standing the distance between violence and hope, between holding and losing. This book is about the book in Shakespeare’s plays and focuses on seven plays, not only for the chronology and range they present, but also for their particular relationship to the book — whether it is political or humanist, cognitive or illusory, satirical or sexual, spiritual or secular, social or subjective. It is argued that the book on stage, its literal and semantic presence, offers one of the most articulate and developed hermeneutic tools available for the study of early modern English culture.

Aesthetics · Art · HAMLET (protein complex) · Humanism · Linguistics · Literal (mathematical logic) · Literature · Politics · Theme (computing) · Theology · Law · Philosophy · Shakespeare, Adaptation, and Literary Criticism