Who Said Romance Was Dead

Datos Bibliográficos

ID2390878
AutoresMark Edmonds (University of Cambridge, autor de correspondencia)
Año2006
Volumen11
Número1-2
Páginas167-188
Fecha de publicación2006-07-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Material Culture (JOURNAL)
Identificadores de la revistaISSN: 1359-1835 • E-ISSN: 1460-3586
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/1359183506063019
OpenAlexW1986437467
IdiomaEN
Citas recibidas17
Referencias citadas12

This article uses recent work in the central Lake District to explore current approaches to prehistoric landscapes in Britain. It argues that those approaches owe much to ways of seeing, which have their roots in the Romantic tradition, in particular, a tendency to privilege vision over the other senses. The more recent history of the area is drawn upon to argue for approaches which deal more directly with the physical engagement with landscape at varied scales. Such an approach has implications for the ways that the area has been, and remains, caught up in discourses of identity

Aesthetics · Archaeology · Art · Environmental ethics · Epistemology · Identity (music · Literature · Political science · Prehistory · Privilege (computing · Romance · Sociology · Archaeological Research and Protection · Archaeology and ancient environmental studies · Geographies of human-animal interactions · History · Law · Philosophy