An exploration of the idea of the tragic in the writings of Georg Simmel

Peripeteia and modernity

Datos Bibliográficos

ID2404698
AutoresRobert Button (City College Plymouth, UK), Robert W Button (Plymouth City Council, autor de correspondencia)
Año2012
Volumen12
Número1
Páginas135-158
Fecha de publicación2012-02-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaJournal of Classical Sociology (JOURNAL)
Identificadores de la revistaISSN: 1468-795X • E-ISSN: 1741-2897
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/1468795x11433707
OpenAlexW2095019835
IdiomaEN
Citas recibidas3
Referencias citadas32

Highlighting the lack of critical attention directed to the tragic as a distinct concept in Simmel's thought, this paper seeks to elucidate the tragic as a specific dialectical process and to draw attention to the grounding of this concept in the German philosophical tradition that Peter Szondi has identified as 'the philosophy of the tragic'. In the course of the argument care is taken to illuminate Simmel's understanding through reference to tragic drama itself, thus emphasizing the properly aesthetic context of the tragic as a distinct philosophical idea relevant to socio-cultural life. In recovering Simmel's definition of the tragic, the author seeks to counter the common conflation of Simmel's use of the tragic concept in his understanding of socio-cultural life with a normative position akin to 'cultural pessimism', and to elucidate the way in which the tragic ultimately indicates a form of affirmation, albeit one replete with nihilistic implications

Aesthetics · Dialectic · Drama · Epistemology · Literature · Modernity · Normative · Sociology · Philosophy · Psychoanalysis, Philosophy, and Politics · Religious Studies and Spiritual Practices · Weber, Simmel, Sociological Theory