The (re)production of climbing space

Bodies, Gestures, Texts

Datos Bibliográficos

ID2406282
AutoresJillian M Rickly (0000-0002-2150-3294, The University of Nottingham, UK, autor de correspondencia)
Año2017
Volumen24
Número1
Páginas69-88
Fecha de publicación2017-01-01
Peer ReviewedSí
Open AccessSí
TipoARTICLE
RevistaCultural Geographies (JOURNAL)
Identificadores de la revistaISSN: 1474-4740 • E-ISSN: 1477-0881
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/1474474016649399
OpenAlexW2400414336
IdiomaEN
Citas recibidas15
Referencias citadas9

According to Lefebvre, space is not an absolute given, an empty and presumed starting point, but space is produced through human action. Furthermore, he contends, there is a material basis to the production of space - the 'practical and fleshy body'. The body must be conceived as both active in the production of space and produced by space, and thereby subject to the determinants of that space. This article demonstrates the crucial role of the body in Lefebvre's trialectic as it interrogates the embodied mobile practice of rock climbing, specifically sport climbing. First, it begins with an examination of the role of climbing bodies in the production of climbing space; put into practice by the perceived space of the rock, bodies shape and are shaped by this interaction. Second, it investigates the mechanisms that continue the production of climbing space off the rock face, as climbers communicate with practice-specific gestures and jargon. Third, it approaches climbing landscapes as texts, focusing on the production of representations of space as routes are inscribed on rock faces, transcribed into guidebooks and websites, and circulated among climbing media. Finally, considering landscape as a way of seeing forces the investigation to return, full-circle, to situate the ways bodies enact landscapes in relation to textual representations of space. As such, this article explores the relationality of individual climbing bodies, rock climbing communities, and climbing media in the (re)production of climbing space to demonstrate the complementarity of landscape-body and landscape-as-text perspectives in the social production of space

Aesthetics · Archaeology · Art · Climbing · Embodied cognition · Geometry · Gesture · Inscribed figure · Linguistics · Sociology · Subject (documents · Visual arts · Adventure Sports and Sensation Seeking · Computer Science · History · Language, Metaphor, and Cognition · Mathematics · Philosophy · Sport and Mega-Event Impacts · Artificial Intelligence