Ruins come what may
A trip to the capital of Spainistan
Datos Bibliográficos
| ID | 2406348 |
|---|---|
| Autores | Pablo Arboleda (0000-0002-8634-4183, Bauhaus-Universität Weimar, autor de correspondencia) |
| Año | 2018 |
| Volumen | 25 |
| Número | 1 |
| Páginas | 221-228 |
| Fecha de publicación | 2018-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Cultural Geographies (JOURNAL) |
| Identificadores de la revista | ISSN: 1474-4740 • E-ISSN: 1477-0881 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.1177/1474474017724495 |
| OpenAlex | W2748137118 |
| Idioma | EN |
| Citas recibidas | 4 |
| Referencias citadas | 3 |
Seseña is the main residential project in Spain that was interrupted due to the 2008 financial crisis, though some parts of it were actually accomplished and people are now starting to move there. By using the symbolic figure of an 'archaeological park', the author recounts a trip he made in May 2016 to reflect on whether such a place ceases to be a ruin only for the fact of being inhabited. The material and sociological aspects of this type of urban development are tackled from an ironic and critical perspective to finally conclude that Seseña is a set of ruins 'come what may
Archaeology · Art · Capital (architecture · Perspective (graphical · Sociology · Visual arts · Cultural Heritage Management and Preservation · History
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,67 |
| Intervalo de citas | 2020 - 2026 (7) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |