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Tripping the Light Fantastic

A Collaborative Autoethnography on Choreography, Dance, and (Black) Experience

Datos Bibliográficos

ID2409243
AutoresB K Alexander (0000-0001-7382-6696), Tanya Wideman-Davis, Rosalynde Leblanc Loo (0009-0000-8753-570X), Thaddeus Davis
Año2024
Volumen24
Número2
Páginas111-125
Fecha de publicación2024-04-01
Open AccessSí
TipoARTICLE
RevistaCulture Studies ↔ Critical Methodologies (JOURNAL)
Identificadores de la revistaISSN: 1532-7086 • E-ISSN: 1552-356X
EditorialSAGE Publications Inc (PUBLISHER)
DOI10.1177/15327086231217241
OpenAlexW4390055690
IdiomaEN
Referencias citadas5

This collaborative autoethnography invites the reader to experience and audience four performative reflections on the prompt 'tripping the light fantastic' as a foray into experiences with/through dance as performative cultural practice, along with an invitation to reflect on experiences of their own relations to culture, dance, being, and becoming

Aesthetics · Art · Autoethnography · Choreography · Contemporary dance · Dance · Performative utterance · Sociology · Tripping · Visual arts · Diversity and Impact of Dance · Engineering · Theater, Performance, and Music History · Theatre and Performance Studies · Gender Studies

  • The Uses of Argument

    Open Access•Stephen Toulmin, Stephen Edelston Toulmin•Uses of Argument•2003

  • Utopia in Performance

    Jill Dolan•Utopia in performance•2005

  • Resounding/Resonating Sounds of Home, Heritage, and Heart

    Open Access•B K Alexander, Michael Whalen et al.•Culture Studies ↔ Critical…•2023

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