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Danse Macabre

Temporalities of Law in the Visual Arts

Datos Bibliográficos

ID24171978
AutoresDesmond Manderson (0000-0002-0376-4394, Australian National University, autor de correspondencia)
Año2019
Fecha de publicación2019-04-18
Open AccessNo
TipoBOOK
RevistaDanse Macabre (SOURCE_BOOK)
EditorialCambridge University Press (PUBLISHER • US)
DOI10.1017/9781316665985
OpenAlexW4211228580
ISBN9781316665985
IdiomaFR
Citas recibidas12
Referencias citadas328

The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.

Aesthetics · Art · Art history · Dance · Epistemology · Field (mathematics) · Ideology · Macabre · Political science · Politics · Power (physics) · Representation (politics) · Sociology · Temporality · The arts · Visual arts · Classical Antiquity Studies · Historical and Literary Studies · Law · Law in Society and Culture · Philosophy

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Obras citantes distintas12
Citas por año2
Intervalo de citas2020 - 2026 (7)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 12
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