Danse Macabre
Temporalities of Law in the Visual Arts
Datos Bibliográficos
| ID | 24171978 |
|---|---|
| Autores | Desmond Manderson (0000-0002-0376-4394, Australian National University, autor de correspondencia) |
| Año | 2019 |
| Fecha de publicación | 2019-04-18 |
| Open Access | No |
| Tipo | BOOK |
| Revista | Danse Macabre (SOURCE_BOOK) |
| Editorial | Cambridge University Press (PUBLISHER • US) |
| DOI | 10.1017/9781316665985 |
| OpenAlex | W4211228580 |
| ISBN | 9781316665985 |
| Idioma | FR |
| Citas recibidas | 12 |
| Referencias citadas | 328 |
The visual arts offer refreshing and novel resources through which to understand the representation, power, ideology and critique of law. This vibrantly interdisciplinary book brings the burgeoning field to a new maturity through extended close readings of major works by artists from Pieter Bruegel and Gustav Klimt to Gordon Bennett and Rafael Cauduro. At each point, the author puts these works of art into a complex dance with legal and social history, and with recent developments in legal and art theory. Manderson uses the idea of time and temporality as a focal point through which to explore how the work of art engages with and constitutes law and human lives. In the symmetries and asymmetries caused by the vibrating harmonic resonances of these triple forces - time, law, art - lies a way of not only understanding the world, but also transforming it.
Aesthetics · Art · Art history · Dance · Epistemology · Field (mathematics) · Ideology · Macabre · Political science · Politics · Power (physics) · Representation (politics) · Sociology · Temporality · The arts · Visual arts · Classical Antiquity Studies · Historical and Literary Studies · Law · Law in Society and Culture · Philosophy
Film and Constitutional Controversy
Love in the Time of Covid
Rethinking legal time
First French-Australian Online Conference Series on Surveillance and the Humanities
New (Post-?) Textualities and the Autonomy Claim
Worldmaking, Legal Education, and the Saga Comic Book Series
Queer Temporalities and Transgender Rights
Narratives of Justice and Power
Subjects of Law, Objects of Gaze
Native dignity
The festival as constitutional event and as jurisdictional encounter
The Poetics and Politics of Custom
The Poetics of Sensibility
Agamemnon in Performance 458 BC to AD 2004
Psychoanalysis and the Image
Constitutional Theory
Australia and the Insular Imagination
Problematic Shores
James Macpherson
The History of the Rise, Progress, and Accomplishment of the Abolition of the African Slave-Trade by the British Parliament
Dark threats and white knights
Politics Most Unusual
How We Think
Anachronic Renaissance
On Beauty and Being Just
The Rhetoric of Reaction
Modernism and the Grounds of Law
The Burden of Representation
The Correspondence of Walter Benjamin, 1910-1940
Shaftesbury and the Culture of Politeness
Art and Answerability
Making People Illegal
The Mythology of Modern Law
The Impartial Spectator
The Expanding Spaces of Law
Celebrity Humanitarianism
Iconology
The Right to Look
Empathic Vision
Chronotopes of Law
Specters of the Atlantic
Problems of Dostoevsky's Poetics
Psychoanalysis and Cinema
The Truth in Painting
Humanitarianism and the Pornography of Pain in Anglo-American Culture
The cartographic eye
Sensational designs
Fantasy and Irony in Peter Bruegel's Prints
The Coupling of Art and Government
Speculum Sermonis
Innovation and Renewal
Sebastian Brant
Broken Tablets
The Sublime
Paris 1937
Studies in the Eighteenth Century
More's Utopia
The Philosophy of Symbolic Forms
Giving Injustice Its Due
The Theodicy of Aeschylus
Transcendental Deconstruction, Transcendent Justice
Writing and Difference
The Saxon Mirror
What Is Positive Law?
Essays in Political Philosophy
Bruegel's Festive Peasants
Philosophical Imaginary
Cultural relativism and the visual turn
The Dialogic Imagination
Die Heidelberger Bilderhandschrift des Sachsenspiegels
Literature in the Light of the Emblem, Structural Parallels between the Emblem and Literature in the Sixteenth and Seventeenth Centuries
Asylum–Seekers and National Histories of Detention
Aeschylus' Oresteia
Indigenous People, Crime and Punishment
Pilate and Jesus
Foucault in an Age of Terror
Iconoclash
An Introduction to Visual Culture
Transitional objects and transitional phenomena 1 —a study of the first not-me possession 2
The Torture Papers
The Rights of Refugees under International Law
The Differentiation of Society
The Ideological Origins of the British Empire
Modernity and the Hegemony of Vision
The Spirit and the Dove
The Image and the Unconscious
Interpretation without Representation, or, the Viewing of Las Meninas
The Order of Things
The Rules of Art
Clues, Myths, and the Historical Method
Law and disorder in the postcolony
The Post Card
Homo Sacer
Recent Literature on Diego Rivera and Mexican Muralism
Ut Pictura Poesis... A History of the Topos and the Problem
War and Photography
Religion, Law, and the Growth of Constitutional thought, 1150-1650
The Triptychs of Hieronymus Bosch
The Origin of German Tragic Drama
The Tendency Toward Platonism in Neo-Classical Esthetics
"Suggestions Toward A Genealogy of the "Man of Feeling
Painting and the Politics of Culture
Reynolds, Garrick, and the Choice of Hercules
Sensibility
Signs of Psyche in Modern and Postmodern Art
The truth in painting
Gordon Bennett's Home Decor
A Cultural History of Gesture
Do Loose Lips Bring Ships
Sounds of Revelation
Benjamin Duterrau
Visual justice
| Obras citantes distintas | 12 |
|---|---|
| Citas por año | 2 |
| Intervalo de citas | 2020 - 2026 (7) |
| Velocidad de citación | current |
| Altamente citado | No |
| Tipos de cita | Neutras: 12 |