The new African
A study of the life and work of H.I.E. Dhlomo
Datos Bibliográficos
| ID | 24201331 |
|---|---|
| Autores | Tim Couzens |
| Año | 1985 |
| Páginas | 382 |
| Fecha de publicación | 1985-01-01 |
| Open Access | No |
| Tipo | BOOK |
| Reseñado por | The New African: A Study of the Life and Work of H. I. E. Dhlomo, Helen Bradford, 1988 |
| Revista | The new African (SOURCE_BOOK) |
| Editorial | Ravan Press (PUBLISHER) |
| ISBN | 9780869752319 |
| Open Library | OL2767871M |
| Idioma | EN |
| Citas recibidas | 52 |
H.I.E. Dhlomo (1903-1956) was the first major black playwright in South Africa. His plays on Shaka, Moshoeshoe, Dingane and Cetshwayo, written in the 1930s, were pioneering works in South African drama. Dhlomo was also a prolific poet, and is probably best known for his epic poem Valley of a Thousand Hills, published in 1941. He was a major influence on black journalism and played an important behind-the-scenes role in the founding of the A.N.C. Youth League and other organisations.
20th century · Africa · biography · Black People · Black people in literature · Blacks · Blacks in literature · Dhlomo, H. I. E. 1903-1956 · Dramatists · H. I. E. Dhlomo (1903-1956) · Intellectual life · Journalists · South Africa · south african · South African Dramatists · South African Poets
The Unresolved National Question in South Africa
Reprisals of Modernity in Black South African 'Mission' Writing
Towards popular theatre in South Africa
Music and emancipation
Buying In
Bantu World and the origins of a captive African commercial press in South Africa
“College girls don't faint”
English and the colonisation of form
Fantasies of Universality
Exile
Who Is Afraid of the Chinese Modern Girl
Conclusion
“Blackfella Missus Too Much Proud”
Radio Soundings
The Cambridge History of South Africa
Well-seasoned talks
Modernizing Tradition/Traditionalizing Modernity
Voices of Spectral and Textual Ancestors
The 'African National Church
Sound in urban public space
Commerce, Politics, and Musical Hybridity
It is not crime in the way you see it”
Contesting a ‘Cult(ure) of respectability’
Whose War, Whose Enemy? Gerard Bhengu’s War Imagery in Context
‘Then … Horror! Horror
South Africa's subaltern press
Rethinking Black Atlanticism
White Cities,” “Diamond Zulus,” and the “African Contribution to Human Advancement”
Concert and Dance
The Bonds of War
Thinking beyond ‘Tribal Traditions’
Ntongela Masilela and the New African Movement
Music, film and gangsters in the Sophiatown imaginary
Laughing Off Apartheid
Yours for Socialism”
Lives and Wives
Then You Are a Man, My Son”
Revisiting ‘Translatability’ and African Christianity
New Africans, Neocolonial Theatre and “An African National Dramatic Movement”
First observations on the organization of Southern-Sotho literature as system
The Politics of New African Marriage in Segregationist South Africa
Zenzele
Unsettling the Ranks
Chief Albert Luthuli's Conceptualisation of Civilisation
Kickin' it
Towards silence
Appropriation as Nationalism in Modern African Art
The Quiet Editor
Uncommon criticism
Decolonizing the reading landscape
The Native Village Debate in Pietermaritzburg, 1848–1925
Intimate Archives and Anterooms
| Citas por año | 1,33 |
|---|---|
| Intervalo de citas | 1987 - 2025 (39) |
| Altamente citado | No |