Raoul Peck'sLumumbaandLumumba
La mort du prophète: On Cultural Amnesia and Historical Erasure
Datos Bibliográficos
| ID | 2431783 |
|---|---|
| Autores | Burlin Barr (0000-0002-5232-2736, Central Connecticut State University, autor de correspondencia) |
| Año | 2011 |
| Volumen | 54 |
| Número | 1 |
| Páginas | 85-116 |
| Fecha de publicación | 2011-04-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | African Studies Review (JOURNAL) |
| Identificadores de la revista | ISSN: 0002-0206 • E-ISSN: 1555-2462 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1353/arw.2011.0006 |
| OpenAlex | W2035653029 |
| Idioma | EN |
| Citas recibidas | 4 |
| Referencias citadas | 12 |
This article examines two films by Raoul Peck-Lumumba: La mort du prophèle(1992) andLumumba(2000) that offer vastly divergent methods for remembering, memorializing, and meditating on the life and death of Patrice Lumumba. Peck succeeds in creating films that do more than preserve or resuscitate a historical record. The earlier film in particular performs analytic historical work as it delves into the conflicted historical record in which Lumumba is remembered. Peck uses an experimental and confrontational approach to reveal the ongoing forms of cultural censorship that have attempted to erase Lumumba and his legacy
Peck (Imperial · Historical Art and Culture Studies · History · Literature, Musicology, and Cultural Analysis · World Wars: History, Literature, and Impact
| Obras citantes distintas | 4 |
|---|---|
| Citas por año | 0,36 |
| Intervalo de citas | 2015 - 2020 (6) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 4 |