Reflections in an Unblinking Eye
Negotiating Identity in the Production of a Documentary
Datos Bibliográficos
| ID | 2642362 |
|---|---|
| Autores | Timothy Mcgettigan (0000-0002-6430-9520, autor de correspondencia) |
| Año | 1998 |
| Volumen | 3 |
| Número | 1 |
| Páginas | 17-28 |
| Fecha de publicación | 1998-03-01 |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Sociological Research Online (JOURNAL) |
| Identificadores de la revista | ISSN: 1360-7804 • E-ISSN: 1360-7804 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.5153/sro.148 |
| OpenAlex | W3148311943 |
| Idioma | EN |
| Referencias citadas | 9 |
The presence of a motion picture documentary team during a Green Tortoise adventure trip created a variety of unique opportunities to evaluate the construction of identity in a postmodern, 'cinematic society' (Denzin, 1995). While, the 'gaze' (Nichols, 1991) of cameras often participated directly in the production of 'spectacular' events, the 'simulating' (Baudrillard, 1988, 1994) gaze of the cameras also served as a 'reflexive mechanism' through which to expose cinematic influences that construct contemporary reality
Adventure · Aesthetics · Art · Art history · Gaze · Literature · Media studies · Negotiation · Postmodernism · Psychoanalysis · Reflexivity · Social science · Sociology · Visual arts · Cinema and Media Studies · Computer Science · Media Studies and Communication · Psychology · Radio, Podcasts, and Digital Media
| Altamente citado | No |
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