Collective Representations, Divided Memory and Patterns of Paradox
Mining and Shipbuilding
Datos Bibliográficos
| ID | 2642407 |
|---|---|
| Autores | Ian Roberts (0000-0001-7974-2506, Durham University, autor de correspondencia) |
| Año | 2008 |
| Volumen | 12 |
| Número | 6 |
| Páginas | 1-19 |
| Fecha de publicación | 2008-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Sociological Research Online (JOURNAL) |
| Identificadores de la revista | ISSN: 1360-7804 • E-ISSN: 1360-7804 |
| Editorial | SAGE Publications Inc (PUBLISHER) |
| DOI | 10.5153/sro.1611 |
| OpenAlex | W2132806614 |
| Idioma | EN |
| Citas recibidas | 6 |
| Referencias citadas | 13 |
This paper seeks to examine the different relationship of two industries to their potential for representation and celebration in collective memory. Looking at case studies of mining and shipbuilding in the shared location of Wearside the paper compares and contrasts features of the two industries in relation to the divergent outcomes of the traces of their collective memory in this place. Using visual representations the paper makes the case that the mining industry has experienced a successful recovery of memory. This is contrasted to the paucity of visual representation in relation to shipbuilding. The reasons for the contrast in the viability of collective memory are examined. Material, cultural and aesthetic issues are addressed. Contrasts are drawn between divisions of labour in the two industries and the ways in which these impact upon community and trade union organisation which further relate to the contrast between industrial and occupational identity. Differences in the legacy of the physical occupational communities of the two industries are illustrated. There is also an examination of the aesthetic forms of representation in which mining is seen as characterised by the aesthetics of labour, whereas shipbuilding is represented more through the aesthetics of product. The way in which the industries were closed also becomes important to understand the variation in the differences of the potential of collective memory. All of these strands are brought together to conclude that in relation to the potential for collective memory, mining can be seen to have gone through a process of 'mourning' whereas melancholia seems to more adequately represent the situation with respect to shipbuilding. In illustrating these cases the paper is arguing for a more sophisticated understanding of the process of deindustrialisation and the potential for the recovery of collective memory
Aesthetics · Archaeology · Cognitive psychology · Collective identity · Collective memory · Data mining · Economic geography · Economics · Political science · Politics · Shipbuilding · Sociology · Computer Science · Cultural Heritage Management and Preservation · History · Law · Psychology · Artificial Intelligence
Strikes and Solidarity
Industrial Ruins
Beyond the Ruins
Craft, Class and Control
People and Planning
Charles Sheeler and the Cult of the Machine
Methodology of Social Sciences
The History of North-East Shipbuilding
Emotional regeneration through community action in post-industrial mining communities
The First Shop Stewards' Movement
The History of North East Shipbuilding
Social Relations and Social Perspectives amongst Shipbuilding Workers-A Preliminary Statement
| Obras citantes distintas | 6 |
|---|---|
| Citas por año | 0,38 |
| Intervalo de citas | 2010 - 2024 (15) |
| Velocidad de citación | recent |
| Altamente citado | No |
| Tipos de cita | Neutras: 5 |