Tragedy and melodrama in early ch'uan-ch'i plays
Lute song' and 'Thorn hairpin' Compared
Datos Bibliográficos
| ID | 2776856 |
|---|---|
| Autores | Cyril Birch (0000-0001-9384-2810, autor de correspondencia) |
| Año | 1973 |
| Volumen | 36 |
| Número | 2 |
| Páginas | 228-247 |
| Fecha de publicación | 1973-06-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Bulletin of the School of Oriental and African Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0041-977X • E-ISSN: 1474-0699 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0041977x00134202 |
| OpenAlex | W2025681397 |
| Idioma | EN |
| Referencias citadas | 2 |
This paper is intended first as a tribute to my teacher, and second as a small contribution to the perennial discussion of the place or extent of the tragic in Chinese literature. I shall plead limited space as excuse for refraining from philosophical discussion, definition, or comparison with Classical Greek or Shakespearean manifestations of the tragic. My suggestion will be simply that P'i-p'a chi 'Lute song' (hereafter 'Lute') may be added to Kuan Han-ch'ing's Ton O yuan and the 'Red chamber dream 'on that select list of Chinese works which in the conflicts they present and the resolutions they propose tend towards the tragic
Art · Art history · Comedy · Dream · Excuse · Greek tragedy · Literature · Lute · Tragedy (event) · Tribute · Chinese history and philosophy · Hong Kong and Taiwan Politics · Law · Philippine History and Culture · Philosophy · Psychology
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |