Motown crossover hits 1963-1966 and the creative process
Datos Bibliográficos
| ID | 3174129 |
|---|---|
| Autores | Jon Fitzgerald (autor de correspondencia) |
| Año | 1995 |
| Volumen | 14 |
| Número | 1 |
| Páginas | 1-11 |
| Fecha de publicación | 1995-01-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Popular Music (JOURNAL) |
| Identificadores de la revista | ISSN: 0261-1430 • E-ISSN: 1474-0095 |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0261143000007601 |
| OpenAlex | W2015758111 |
| Idioma | EN |
| Citas recibidas | 6 |
| Referencias citadas | 7 |
In recent years there has been a marked resurgence of interest in early Motown songs, many of which have received widespread exposure via successful films such as The Big Chill, My Girl, The Commitments, Father of The Bride and Sister Act. The steady flow of CD re-releases and contemporary 'covers' further attests to the continuing appeal and relevance of the music
Appeal · Art · Art history · Crossover · Developmental psychology · Genealogy · Girl · Political science · Relevance (law · Sister · Visual arts · Computer Science · History · Law · Music History and Culture · Musicology and Musical Analysis · Psychology · Theater, Performance, and Music History · Artificial Intelligence
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| Obras citantes distintas | 6 |
|---|---|
| Citas por año | 0,19 |
| Intervalo de citas | 1995 - 2021 (27) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 6 |