The Primacy of the Object
Adorno's Aesthetic Theory and the Return of Form
Datos Bibliográficos
| ID | 3203871 |
|---|---|
| Autores | Eva Geulen (0009-0004-3700-1661, autor de correspondencia) |
| Año | 2021 |
| Volumen | 48 |
| Número | 2 |
| Páginas | 5-21 |
| Fecha de publicación | 2021-08-01 |
| Open Access | No |
| Tipo | ARTICLE |
| Revista | New German Critique (JOURNAL) |
| Identificadores de la revista | ISSN: 0094-033X • E-ISSN: 1558-1462 |
| Editorial | Duke University Press (PUBLISHER • US) |
| DOI | 10.1215/0094033x-8989204 |
| OpenAlex | W3195011997 |
| Idioma | EN |
| Citas recibidas | 1 |
| Referencias citadas | 9 |
The article assesses Theodor W. Adorno's relevance today by engaging contemporary interests in form that have led to a surprising renaissance of his thought in recent years (in Tilo Wesche and Josh Robinson, among others). Comparing and contrasting this most recent focus with older trajectories of reception, the article suggests that Adorno's concept of form is not as easily dislodged from its theoretical moorings as recent appropriations tend to argue: his insistence on form as what rigorously (and painfully) demarcates an artwork from its surrounding contexts is perhaps an antidote to current all-inclusive conceptualizations of form
Aesthetics · Art · Art history · Epistemology · Focus (optics) · Linguistics · Object (grammar) · Political science · Relevance (law) · Sociology · The Renaissance · Art, Politics, and Modernism · Critical Theory and Philosophy · Law · Philosophy · Visual Culture and Art Theory
| Citas por año | 1 |
|---|---|
| Intervalo de citas | 2025 - 2025 (1) |
| Altamente citado | No |