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The Indigenized West in Asian Multicultures

Literary-Cultural Production in Malaysia and Singapore

Datos Bibliográficos

ID3222011
AutoresC J W L Wee (0000-0002-4271-1332, Nanyang Technological University, autor de correspondencia)
Año2008
Volumen10
Número2
Páginas188-206
Fecha de publicación2008-07-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaInterventions (JOURNAL)
Identificadores de la revistaISSN: 1369-801X • E-ISSN: 1469-929X
EditorialInforma UK Limited (PUBLISHER • GB)
DOI10.1080/13698010802145101
OpenAlexW2037871268
IdiomaEN
Citas recibidas1
Referencias citadas14

This essay examines what happens to the cosmopolitan culture of the west for postcolonial societies when economic and political power has shifted away from a geographical location to a less locatable planetary position. The essay also investigates whether postcolonial Others in the semi-periphery ever effectively lay claim to a cosmopolitan Anglo-Asian multiculture that has a part ownership, no matter how fraught, of what can be called the global west. Is this west, or the relevant parts of it, ever indigenized? Effective dealing with the status of the global west and its various cultures within and without diverse postcolonial Asian societies requires historical and comparative dimensions because the history of the British (and increasingly the American) west cannot be the same history for every location. Even Malaysia and Singapore, despite common historical British colonial rule and shared cultural characteristics, display different post-independence manifestations of the global west. Malaysian and Singaporean literary-cultural production is the main subject to be investigated in relation to the issues articulated. A comparative culturalist examination via two indicative texts – Malaysian Huzir Sulaiman's play Notes on Love and Life and Painting (1999) and Singaporean Tan Hwee Hwee's novel Mammon Inc. (2001) – suggest that even in what might be described as our ‘postmodern’ moment in history, when cultural identities seem to be in flux, the nature of this flux in relationship to the west ‘within’ them is simultaneously revealingly similar and dissimilar in the way ‘national culture’ is articulated. ‘Postcolonialism’ is not about direct resistance to an ‘outside’ dominating west. The west clearly is in many ways a part – whether comfortable or not – of the Asian multicultures Sulaiman and Tan write about, where the local can clash with/negotiate with/manipulate regional cosmopolitanisms and the Anglo-American global west

Aesthetics · Ancient history · Art · Colonialism · Eurocentrism · Literature · Political science · Politics · Postmodernism · Sociology · World history · Anthropology · Asian Studies and History · Gender Studies · History · Japanese History and Culture · Law · Socioeconomic Development in Asia

  • Malaysia and Singapore

    Open Access•Ismail S Talib•The Journal of Commonwealth…•2023

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  • A History of Malaysia

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  • The Theatre of Krishen Jit

    Charlene Rajendran, C J W L Wee et al.•TDR/The Drama Review•2007

  • Creating High Culture in the Globalized “Cultural Desert” of Singapore

    C J W L Wee, C J W-L Wee•TDR/The Drama Review•2003

  • Remembering KUO Pao Kun (1939-2002)

    Kian Woon Kwok, Kian-Woon KWOK•Inter-Asia Cultural Studies•2003

  • Capitalism and ethnicity

    C J W L Wee•Inter-Asia Cultural Studies•2000

  • Colonialism, 1870-1945

    Bernard Semmel, D K Fieldhouse•The American Historical Review•1982

  • Colonialism 1870–1945

    Open Access•D K Fieldhouse•Colonialism 1870–1945•1983

  • The Politics of Multiculturalism

    Open Access•Christina Perez•Humanity & Society•1995

  • Singapore's foreign policy

    Michael Leifer•Singapore's foreign policy•2000

  • Postcolonial Melancholia

    Eli Park Sorensen, Eli Sorensen•Paragraph•2007

  • Towards a Critique of Globalcentrism

    Fernando Coronil•Public Culture•2000

Obras citantes distintas1
Citas por año0,05
Intervalo de citas2004 - 2004 (1)
Velocidad de citaciónhistorical
Altamente citadoNo
Tipos de citaNeutras: 1
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