Toward a Rhetography of James 1
1-18: Ekphrasis, Cinematography, and the Visual-Rhetorical Effects of the Passage
Datos Bibliográficos
| ID | 3528284 |
|---|---|
| Autores | Donghee Jeong (0000-0002-3064-8911, Austin Presbyterian Theological Seminary, autor de correspondencia) |
| Año | 2025 |
| Volumen | 16 |
| Número | 4 |
| Páginas | 406 |
| Fecha de publicación | 2025-03-23 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Religions (JOURNAL) |
| Identificadores de la revista | ISSN: 2077-1444 • E-ISSN: 2077-1444 |
| Editorial | MDPI AG (PUBLISHER • IT) |
| DOI | 10.3390/rel16040406 |
| OpenAlex | W4408783204 |
| Idioma | EN |
| Referencias citadas | 47 |
Within the analytical framework of sociorhetorical (or, socio-rhetorical) interpretation (SRI), this paper explores a sustained rhetography of James 1:1-18. It begins with a brief examination of visual elements in James through the lens of ancient ekphrasis, which offers a nuanced understanding of the social and cultural texture of the letter. Since the letter of James (especially 1:1-18) contains sporadic images that reflect ekphrastic tradition (rather than long, elaborate ekphrasis), a new approach is needed to understand its visual-rhetorical effects. Therefore, rhetography in SRI (especially cinematographic and editing techniques, such as shot types, shot transitions, and continuity editing with crosscutting shots) is introduced to the text. This sociorhetorical reading of James 1:1-18 helps readers understand the visual-rhetorical strategy of the text. This manifests in various ways: (a) displaying contrasting figures close-up (positive, less positive, and negative) to emulate or avoid; (b) portraying negative figure(s) in precarious situations through vivid similes that elicit emotional responses; and (c) envisaging eschatological consequences, thus making the invisible visible. The movement and sequence of the shots can effectively direct the letter's audience/viewer toward a wise and unwavering life in the diaspora
Art · Cinematography · Literature · Rhetorical question · Visual arts · Biblical Studies and Interpretation · Classical Antiquity Studies · Language, Metaphor, and Cognition
Ovid on Screen
Cinema and Classical Texts
Classical Myth & Culture in the Cinema
Classical Antiquity and the Cinematic Imagination
Performing Early Christian Literature
Who was 'James'?
Ekphrasis, Vision, and Persuasion in the Book of Revelation
The Bible in Motion
The Letter of James
James among the Classicists
James in Postcolonial Perspective
Clothing the Body of Christ at Colossae
A Companion to the Ancient Novel
Epic Visions
Bible and Cinema
Der Jakobusbrief im Licht frÜhjÜdischer Diasporabriefe
Exploring Colossians
Virgil's Cinematic Art
Ekphrasis and Representation
| Velocidad de citación | historical |
|---|---|
| Altamente citado | No |