The Prehistory of Samba
Carnival Dancing in Rio de Janeiro, 1840-1917
Datos Bibliográficos
| ID | 3530790 |
|---|---|
| Autores | John Charles Chasteen (University of North Carolina at Chapel Hill, autor de correspondencia) |
| Año | 1996 |
| Volumen | 28 |
| Número | 1 |
| Páginas | 29-47 |
| Fecha de publicación | 1996-02-01 |
| Peer Reviewed | Sí |
| Open Access | Sí |
| Tipo | ARTICLE |
| Revista | Journal of Latin American Studies (JOURNAL) |
| Identificadores de la revista | ISSN: 0022-216X • E-ISSN: 1469-767X |
| Editorial | Cambridge University Press (CUP) (PUBLISHER) |
| DOI | 10.1017/s0022216x00012621 |
| OpenAlex | W2133043792 |
| Idioma | EN |
| Citas recibidas | 27 |
| Referencias citadas | 7 |
Rio's pre-Lenten carnival and its Afro-Brazilian dance, samba, have been symbols of Brazilian identity since the 1930s. This article explores the choreographical antecedents of samba, before the crystallisation of the modern dance genre with that name, highlighting the importance of earlier social dances in the evolution of the twentieth-century symbol. It traces the development of carnival dancing in Rio de Janeiro from the time when few danced, through the long reign of the polka, to the emergence of generalised carnival street dancing around 1889. A modified view of the roots of samba has interesting implications for on-going debates on the social meaning of Brazilian carnival
Aesthetics · Archaeology · Art · Dance · Humanities · Identity (music) · Literature · Meaning (existential) · Political science · Prehistory · Reign · Symbol (formal) · Diversity and Impact of Dance · History · Philosophy · Physical Education and Sports Studies · Sport and Mega-Event Impacts
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| Obras citantes distintas | 27 |
|---|---|
| Citas por año | 0,93 |
| Intervalo de citas | 1997 - 2023 (27) |
| Velocidad de citación | historical |
| Altamente citado | No |
| Tipos de cita | Neutras: 22 |