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The Persianization of Itihasa

Performance Narratives and Mughal Political Culture in Eighteenth-Century Bengal

Datos Bibliográficos

ID3622708
AutoresKumkum Chatterjee (0000-0002-6432-9230, Pennsylvania State University, autor de correspondencia)
Año2008
Volumen67
Número02
Fecha de publicación2008-05-01
Peer ReviewedSí
Open AccessNo
TipoARTICLE
RevistaThe Journal of Asian Studies (JOURNAL)
Identificadores de la revistaISSN: 0021-9118 • E-ISSN: 1752-0401
EditorialDuke University Press (PUBLISHER • US)
DOI10.1017/s0021911808000685
OpenAlexW2041104292
IdiomaEN
Citas recibidas9
Referencias citadas39

This paper explores the nature and understandings of history, or itihasa/Purana, in eighteenth-century India using two Mangalkabya narratives. These materials belong to a large genre of performance narratives, usually devoted to eulogizing various deities, that were produced in Bengal for several centuries. The paper illustrates how a “traditional” genre such as the Mangalkabya was effectively used to articulate contingent political and cultural preoccupations. The narratives studied here show that the historical experiences and contexts mirrored in them were derived from Mughal rule over Bengal and large parts of India during the seventeenth and eighteenth centuries. The paper seeks to historicize and contextualize the shifts noticeable in these narratives and to engage with the notion that premodern, precolonial India lacked a sense of history molded by contemporary material and cultural imperatives

Aesthetics · Archaeology · Art · BENGAL · Literature · Narrative · Political science · Politics · Sociology · Anthropological Studies and Insights · Asian Studies and History · History · Law · Philippine History and Culture

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Obras citantes distintas9
Citas por año0,53
Intervalo de citas2009 - 2026 (18)
Velocidad de citacióncurrent
Altamente citadoNo
Tipos de citaNeutras: 9
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